Pharrell Williams is helping Black and Latinx entrepreneurs with his latest initiative. The two-part program — a collaboration between Chanel and his Black Ambition nonprofit organization — will specifically work toward providing emerging businessmen with “access to knowledge, insights and opportunities from industry-leading experts,” per The Hollywood Reporter.
In part one of the initiative, which is titled “Women Who Lead,” Harper’s Bazaar editor-in-chief, Samira Nasr, moderated a panel that saw Tracee Ellis Ross, Medley co-founder Edith Cooper, Good American CEO Emma Grede and Natalie Massenet, who is the co-founder and partner of Imaginary Ventures, discuss resilience and determination, the importance of clarity of vision and more.
The second part of the program is a series of mentorship workshops. Members will have access to Chanel’s network of experts, who will teach them about the process of launching and sustaining a brand among other things.
“Chanel’s support of Black Ambition is a cornerstone of Black Ambition’s mission and is vital to the success of the next generation of Black and Latinx entrepreneurs,” said Williams. He also noted the brand’s “commitment to investing in human potential and advancing greater representation in culture and society.”
”You may have a great business idea, but that doesn’t mean you know how to run a business,” he added in a statement to Vanity Fair.
“Even when you have a great business plan, you might not find the right operators. [The mentorship program] teaches you all of those things. Success really does have a lot of authors. Usually when you say, ‘Success has a lot of authors,’ it’s a dig at people who didn’t do something but are taking the credit. In this particular sense, when it comes to running a business, success does have a lot of authors — there are a lot of signatures needed to cosign to get a brand new idea off the ground.”
Lil Nas X was going to be a one-hit wonder. This much seemed obvious to me. “Old Town Road” had all the makings of a fleeting career. A half-rap, half-country novelty hit about a lean-drinking cowboy who’ll ride ’til he drops, made viral through savvy promotion on TikTok and Twitter, buoyed by controversy over whether it should qualify for Billboard‘s country charts, then sent into overdrive by a remix featuring the “Achy Breaky Heart” guy — it was more a meme than a song, a joyous joke adults and children alike could be in on. After the track spent a record-breaking 19 weeks at #1 on Billboard‘s Hot 100, its momentum extended by an assortment of star-studded alternate remixes and videos, it also started to seem like an albatross. Despite everything the “Old Town Road” saga said about this guy’s musical and promotional skills, it was hard to imagine where he could possibly go next. But Montero Hill is nothing if not imaginative.
At this point, about two years after “Old Town Road” ended its run at #1, not only is Lil Nas X not a one-hit wonder, he’s one of the surest things in mainstream music. He nabbed a Album Of The Year nomination for an EP. He landed three more songs in the top five, including one that debuted at #1 and another that was only blocked from the top of the chart by an aggressive BTS stan campaign. He has expertly stirred controversy with some of the most vividly rendered music videos in recent memory and strategically outrageous merch, weaponizing his sexuality, inciting a lawsuit from one of the world’s largest corporations, and throwing in some satanic panic for good measure. His debut album Montero will surely spin off more hits, partially because it shows him wielding the ruling rap, pop, and rock sounds of the moment with expertise. “Funny how you said it was the end,” he raps on “Industry Baby” in a rebuke of skeptics like me. “Then I went did it again.”
Even LNX’s most fervent supporters would agree his promo acumen has been inextricable from his success. During the Montero cycle, that has included descending into hell for sex with Satan, leading a jailhouse full of naked men through a dick-swinging dance routine, donning a prosthetic pregnancy bump ahead of “birthing” the new album, and selling modified Nikes that feature pentagrams and drops of human blood. As he puts it on one song featuring his fellow attention magnet Doja Cat, “I’m just tryna be the daily scoop.” But Montero, released last Friday, affirms that he’s musically adept as well. The album is hooky and energetic, with versatile songwriting and production that maintains a recognizable imprint despite all the genre morphing. Although parts of it edge up to the cheesier corners of the modern pop landscape, it’s an undeniably fun, engaging debut with some depth to it — the kind of album that bodes well for a young star’s future.
Lyrically, Montero largely presents a mix of “hell yeah I’m famous now” and “oh shit I’m famous now” common among budding superstars, delivered with a personal touch and some raw vulnerability that adds some freshness to the usual proceedings. That he’s achieved this success as a gay Black man makes elements of the album’s story feel culturally significant and new, starting right up front with a lustfully flirtatious #1 single named for the queer coming of age movie Call Me By Your Name. As others have pointed out, queerness colors the darker, heavier side of the album as well. Throughout, Lil Nas X revels in the pursuit of both fleeting pleasure and more enduring partnership. But there’s real pain on display too, as on the moody standout “Dead Right Now,” which finds him spitefully telling his old acquaintances, “You know you never used to call/ Keep it that way now.”
Click here to read the full article on Stererogum.
Basketball legend Michael Jordan announced that he will donate $1 million to the Ida B. Wells Society for Investigative Reporting to help diversify newsrooms.
The Jordan Brand grant will enable the society to expand its college internship program, create a summer journalism program at a historically black college or university in North Carolina, and launch a high school journalism project with a majority Black and Latino school in the state.
The Ida B. Wells Society, created in 2016 to help train and support minority investigative journalists, is housed at the University of North Carolina at Chapel Hill’s School of Journalism and Media.
“Investigative reporting is the most important reporting in our democracy,” society co-founder and 1619 Project author Nikole Hannah-Jones said in a statement.
“It’s the reporting that holds power accountable, that unearths the way it’s wielded, that tells the stories that people don’t want told. Our democracy is in crisis as politicians are advancing a wave of voter suppression laws across the country and journalists must step up to be the firewall for our democracy,” she added. “That makes the work we do as a Society and the substantial support of Michael Jordan and the Jordan Brand so critical in this moment.”
Jordan, who was the main subject of the Netflix documentary series “The Last Dance,” pledged in 2020 to donate $100 million to organizations that are dedicated to racial equality, social justice and education access over the next decade, Black Enterprise reported.
(SP) – Tell people a little about Christian Wise Smith…who you are, how it all began, and what you’ve accomplished so far in life?
(CWS) – I was born and raised in the justice system. I saw my mother get arrested several times before she lost custody of me. My Uncle Steve was sentenced to life in prison for murder. I witnessed my grandmother stripped down to her underwear and handcuffed. Ultimately, my family and I experienced several traumatic encounters with law enforcement and the justice system during my childhood. Determined to break the negative cycles of my upbringing, I was able to turn my pain and tragedy into triumph, becoming the first in my family to graduate from college, ultimately earning my Bachelor’s, Master’s, and Juris Doctor degrees. The horrors experienced during my childhood ultimately led me to devote my career to working with our youth.
(SP) – Realizing that poverty, idle time, a lack of opportunities, and peer-related pressure often entices and influences disadvantaged people of all ages (especially teenagers and young adults) to get caught up in turning to ‘street life’ for survival, how were you able to avoid such desperate measures and traps during your youth, which could have negatively affected you later in life?
(CWS) – Before finishing high school, I saw several family members and friends destroyed by murder, violence, drugs, and other crimes. At 17, I was kicked out of school. Headed down a path leading straight to a jail cell, Officer William Dean Sr., a Black police officer, took an interest in helping me to break free of the low expectations inherent in my situation. Due to his mentoring and support, I learned that I was capable of changing my path.
(SP) – Researchers have proven there is a direct link between socioeconomic disadvantaged individuals and crime. Additionally, there are those who believe that “over 90% of crime in America and around the world takes place due to economic disadvantages and the remaining percentage involves mental illness, social disagreements, and/or other miscellaneous reasons.” If those precipitating factors are true, why have more prosecutors and court systems not taken these seriously and opted to explore better strategies and proven solutions which reinforce teaching positive behavioral change and empowering people – economically, mentally, socially, and otherwise?
(CWS)– I visited the King County Prosecutor’s Office in Seattle, Washington in 2018 to study a program they created called ‘LEAD’ (Law Enforcement Assisted Diversion). Instead of booking people into jail for criminal activity that stems from poverty or behavioral health needs, officers instead take people to case managers who provide crisis response, immediate psychosocial assessment, and long-term wrap-around services that include substance, disorder treatment and housing. By the time I visited the program, they’d already had hundreds of success stories where people completely turned their lives around. Instead of being trapped in the system of recidivism, they now had jobs, housing, and lived productive lives. The program has also significantly improved their community overall. Once people are off of the streets and working, employment rates and property values increase. They’ve proven that this kind of justice system can work.
Unfortunately, most prosecutors and court systems have not opted to explore better options to help people break free from the system because of money. In 1865, we saw southern states enact Black Codes to ensure that newly freed Black Americans could be sentenced to labor for crimes such as vagrancy or “poor living conditions” after slavery was abolished. Today, many states use prisoners to manufacture license plates and other products. The prison industry is a multi-billion-dollar system. Think about bail bonding companies, probation services, and corrections officers just to name a few. Most elected prosecutors are financially supported by people who benefit from the prison industry. We need to see more prosecutors elected like Larry Krasner, Rachael Rollins, Aramis Ayala, and Deborah Gonzalez, and consider the advice of experts like Dr. Brandon Mathews and Adam Foss to see significant changes in our system that will ultimately help people break free from the system and live better lives.
(SP) – Police departments across the country have long been the primary instigator of public backlash for abusive tactics by law enforcement officers, especially acts committed against minority individuals. However, most often, prosecutors and court systems throughout America have played an equal or far more destructive role by primarily pushing for greater numbers of convictions or guilty pleas, versus considering life-improving alternatives and opportunities to dismiss cases that reveal little or no evidence to warrant prosecution. How do we get more prosecutors and judges to understand the role(s) they play in shaping or destroying communities, and make better decisions in pursuing restorative justice?
(CWS)– Our justice system has been driven by a “conviction by any means necessary” approach for several decades. This approach is cruel, costly, and counter-productive. It has created a hamster wheel cycle of incarceration that has especially destroyed the Black community, communities of color, and low-income people. This approach has destroyed lives, over-crowded jails and prisons, and has done nothing to keep us safer. The way we get more prosecutors and judges to understand the roles they play in the system is by no longer voting for prosecutors and judges who aren’t willing to change things. Voters have to be more vocal about the kind of people they want leading our local justice systems.
(SP) – A growing number of professionals in the areas of law and government are beginning to embrace the ideas of “criminal justice & prosecutorial reform visionaries” such as: Larry Krasner of Philadelphia; Rachael Rollins of Suffolk County, Massachusetts; Diana Becton of Contra Costa County, California; Jonathan Rapping of Atlanta, Georgia; Professor Jody D. Armour from the USC School of Law, and Judge Bruce Morrow of Michigan. Could you share your thoughts on some of the unique concepts any of them have implemented and how you might contribute to such growing trends?
(CWS) – I respect and appreciate those folks and everyone else who is willing to acknowledge the significant issues within our justice system and do something about it. Larry Krasner made headlines when he fired 31 staff members (which included trial attorneys, supervisor-level staff, and assistant prosecutors) on his fourth day in office to honor his promise to change the culture of the Philadelphia District Attorney’s Office. He promised to never seek the death penalty, end cash bail, and end the mass incarceration model that has plagued the justice system for entirely too long. He was recently re-elected for a second term, which makes me hopeful that more and more voters across the country will become more aware of what he and other progressives are doing and start to vote more likeminded candidates into other local offices.
(SP)– Throughout the United States, there are legal professionals and legislators who would argue that “debtor’s prisons, exploitive labor arrangements, and/or Peonage laws” no longer exist. However, if that were true, overzealous tactics such as charging parents (typically fathers or men identified as one) with a criminal offense instead of a civil one for nonpayment of child support; suspending the driver’s licenses of a parent who is unable or unwilling to pay support; branding them with unnecessary employment-dismissive criminal records; placing them on probation, and even incarcerating such people (most often only fathers) who are unable to pay a biased, expected amount to the child(ren)’s other parent (typically a mother) has been nothing short of a fruitless abuse of law practice and a gross waste of time and public resources. Fathers who find themselves in these circumstances refuse to speak out on this touchy subject for fear of being scrutinized further or mislabeled as a Deadbeat Dad as opposed to properly being recognized as a Dead Broke Dad. A 2019-2020 study in Baltimore which is often ignored, revealed an eye-opening perspective about how this “system” has continued to do more harm than good in many instances. What are your thoughts on better ways to move away from the criminalization of child support delinquency, which adversely impacts a family’s dynamics through increased poverty and the destabilizing of (father) parent-child relationships?
(CWS) – I haven’t encountered any child support cases during my legal career thus far, but I do believe that things can improve significantly to ensure that policies aren’t counterproductive. For example, suspending someone’s driver’s license and incarcerating them because of nonpayment makes it harder for that person to maintain employment. I guarantee you that nobody is using the same cell phone they used 10 years ago, but our court systems are operating the same way they did several decades ago. Technology always evolves and we adapt to it. Unfortunately, big systems that play vital roles in our everyday lives like the justice system, the education system, and the child support system don’t evolve and improve. If we valued improving these systems as much as we value advancing technology, our country would be in much better shape. The Baltimore Sun article you’re referring to (At what cost? For Baltimore’s poorest families, the child support system exacts a heavy price — and it’s hurting whole communities – Baltimore Sun) was published in March of 2020. It reveals how counterproductive the current child support system is in Maryland, and I think that article paints a pretty good picture of how bad things truly are across the country.
(SP) – In your opinion, what would/should the ideal “prosecutor’s office-court system” look like in terms of methodologies, operations, and intended outcomes?
(CWS) – Just as our culture changes and moves forward, our justice system must use innovative and commonsense solutions that respond to the issues we face today. We must rewrite history and create a paradigm shift in the justice system to value people over conviction rates. We can accomplish this if prosecutors prioritize resources on serious and violent crimes and end the revolving door model of mass incarceration by no longer using jails as ineffective and inhumane mental health treatment facilities, homeless shelters, and drug rehab centers. Diversion programs should be implemented for low-level non-violent crimes with paths to employment and educational opportunities. Prosecutors should right the wrongs of the failed war on drugs that disproportionately ruined Black and minority communities by no longer prosecuting possession of marijuana. Prior marijuana possession convictions not attached to violent crime or drug sales should be pardoned to help several people across the country obtain employment and housing opportunities.
Prosecutors should hold police officers accountable for any misconduct or abuse. Prosecutors should never take campaign money from police unions to maintain total independence and eliminate any conflicts of interest when it comes to prosecuting police. Cash bail should be eliminated because it keeps poor people detained simply because they can’t afford bail, putting them at risk of losing employment and/or housing, which eventually leads to re-offending. Every local justice system should have a Military Veteran’s court unit to get our brave men and women who suffer from psychological or substance abuse issues the proper tools they need to be productive citizens after encountering the system. Prosecutors should be transparent and accountable. Prosecutors should also partner with public school systems to do more to divert the school to prison pipeline. These things would get us on track to seeing an ideal justice system where everyone is treated equally.
(SP)– You have accomplished quite a bit in your 38-years. It’s refreshing to note that after deciding at the last minute to run for the highly coveted District Attorney position for Fulton County-Atlanta (the largest county in the state of Georgia), you went on to maximize your skill set by launching the National Social Justice Alliance. What led you to embark upon this endeavor and what do you hope it will achieve?
(CWS) – The NATIONAL SOCIAL JUSTICE ALLIANCE – HOME (nsja.org) was created to bring prosecutors from across the nation together for a common effort to fix the broken American criminal justice system. NSJA believes prosecutors are the answer. Prosecutors are the gatekeepers of our local justice systems, and are responsible for holding everyone, including police officers and other prosecutors, responsible for the acts they commit. The 2020 police killings of George Floyd and Breonna Taylor and the aftermath of protests for equality, justice and calls for police reform highlight the need for prosecutors to step up. Together, the gatekeepers of the system can finally end police brutality and ensure that equality and justice are the standard for everyone.
(SP) – People have been expressing their appreciation for your new children’s book, WISEUP Adventure Series: Chris & Key Go Vote! Tell those who are unfamiliar with it what was your motivation for writing it and what is the intended outcome?
(CWS) – When I ran for District Attorney in 2020, I met so many people who believed their vote didn’t matter. Recognizing this as a byproduct of voter suppression, I wanted to do something to eliminate the negative thinking that people have about whether their vote can make a difference. The answer: our kids, the next generation. By teaching our kids now about the superpower of voting, they’ll grow up knowing their votes will matter one day soon. I also wanted to do more than just tell them about voting, so the book is interactive. Young readers and their parents learn the voting process in a simple way by completing a voter registration card and casting a ballot for their favorite color. Teaching kids and their parents how to vote with an interactive children’s book is a new and direct way to increase future voter participation, fight against voter suppression efforts, and encourage the normalization of a culture of consistent voting in local and national elections.
We also just launched a community outreach program through NSJA called VOTING IS A SUPERPOWER to teach children in public school systems about the voting process. Students will receive a backpack complete with supplies and most importantly a copy of the book. We also provide a pizza party for each school we visit and appreciation gift cards for the teachers and staff. If anyone would like to donate towards helping us reach our mission of teaching millions of kids across the country how to vote, please visit njsa.org and click on any of the donate buttons to make a 100% tax deductible donation.
(SP) – You’re clearly a sound decision-maker. What do you want or plan to be doing when you’re in your 50’s or 60’s?
(CWS)– I pray to be alive, healthy, and still using everything God has blessed me with to help all of us live better lives together.
Santura Pegram (email@example.com) is a freelance writer and socially conscious business consultant who has helped to advise small businesses; nonprofit organizations; city, county, and state governmental committees; elected officials; professional athletes; and school systems.
During a chaotic year that has laid bare the divisive inequities within our society, music and art have often served as universal entities to ground us, tell our stories, and provide a sense of escape. Now, a new exhibition hosted by MTV pays homage to that sense of unity. Nestled appropriately within the belowground subway station at Brooklyn’s Atlantic Avenue terminal at Barclays Center — that great mixing pot where riders from all walks of life brush elbows on a communal commute, as well as the initially planned home of the 2020 VMAs — the show takes over public advertising spaces to amplify the diverse work of eight emerging visual artists working in a variety of media.
Conceptualized by MTV’s Rich Tu, Vice President of Digital Design, and Antonia Baker, Senior Director of Marketing, who were inspired by the Black Lives Matter protests that took place at Barclays Center earlier in the summer, each artist submitted original pieces inspired by the themes of unity, music, space, and the future, which will remain on view through September 6. Where some works feature futuristic dance parties in outer space, others aim to combat tropes that lead people to view BIPOC communities through an exoticizing lens. The result is a vibrant picture of youth and the beauty of the differences that exist between us, as well as a love letter to New York City. Here, the artists share their stories, the inspiration for their work, and more.
Amika Cooper, Illustrator
Amika Cooper’s exuberant depictions of Black women as divine beings are both a call to activism and a celebration of the beauty of Blackness and the LGBTQ+ community. “It’s important to me to refute the idea of the ‘strong Black woman’ and other tropes that limit the public perspective of Black femmes,” she tells MTV News. Working across digital illustration, 2-D animation, and collage, her art plays with space and draws upon rich hues: showing Black women as healers and rulers with lush curls or donning Egyptian headdresses as rulers of the galaxy. Raised in Toronto, she now calls Brooklyn home, but her West Indian and South American heritage is tightly woven into her work. “The culture I grew up on is the product of the unwavering ingenuity in enslaved and indentured people,” Cooper says. Her latest pieces lean heavily into geometry, “a reflection of the forces that connect us and remind us of the importance of creating, sharing, and repeating.”
Bronson Farr, Photographer
For Bronson Farr, art is about making people feel seen. A photographer and director, his craft resides in the sweet spot between beauty and discomfort, with overlapping themes of vulnerability, power, and voyeurism. “People’s faces tell incredible stories when they’re being honest, even if it’s a bit scary,” Farr says. His work casts Black men in a gentle, intimate glow juxtaposed with a sense of reverence and longing. One photo depicts a man against a terracotta backdrop, his chest exposed, his view obstructed by buds of baby’s breath and a sheet of tulle that hides his face. It’s a playful subversion of stereotypes about Black masculinity, calling the viewer to see the softness and serenity in these boys. “My aim is to allow the viewer permission to see Black people, especially men, the way I do — wrapped in warmth, love, and light, and deserving of your protection.” Farr hopes his art takes people on a journey that acknowledges the experiences and feelings of someone who has “[gone] through some shit” but has found their happy ending.
Eugenia Mello, Illustrator
When tapped to participate in the Atlantic Avenue terminal takeover, Brooklyn-based, Argentina-born illustrator Eugenia Mello sought to “translate music into shapes” and create a mural that vibrates so loud a viewer can feel it. She explores the relationship between emotion and the body: Abstract shapes in deep primaries paint the scenes of a dance club alive with rhythm and heat. Her incorporation of contrasting colors and angular shapes adds depth to the image harkening back to a time before social distancing was the norm and when dancing in groups generated a feeling of electricity. Her work is heavily musical, pulling from an upbringing in South America and the Caribbean that was “bursting with energy.” She credits the grassroots spirit of the Venezuelan political climate of the early 2000s as helping her find her own artistic voice: “People would march, exercising their right of free speech by chanting and dancing with loud music,” she says. “Expression was with the whole body.”
Eva Zar, Photographer
Eva Zar wields self-expression as a means of liberation. Raised within a traditional Russian-Austrian household, she uses photography to relay messages of empowerment and self-love. Focusing her lens on the beauty and sensuality of her subjects, her soft, almost retro depictions are subtly nonconformist. “A lot of my art speaks directly against the lessons and rules I grew up with,” she says. “I wanted to create art that shows different types of bodies and liberates women from the idea of only being a wife.” Her latest series exists at the intersection of music and performance, in one instance crafting an image of a dancer clad in black trainers and a neon tracksuit dancing on the stage at a Lynchian bar. Metallic decor and striking cateye liner are reminiscent of the heightened glamour of the disco days. Often incorporating her friends as her muses, her vivid portraiture captures the strength of the LGBTQ+ community; it is a reminder that regardless of what is happening in the world, “our community gives us space for an inclusive and safe future.”
Kervin Brisseaux, Illustrator
Three words come to mind in viewing illustrator Kervin Brisseaux’s vibrant digital drawings: rich, conversational, animated. With a background in architectural studies, bold graphics and crisp lines are at the forefront of Brisseaux’s work. Whether he’s fusing cultures and experimenting with typography or scribing his own language into being, his work always has something to say. His art isn’t just about aesthetic pleasure, it’s also about tapping into discussions that are happening each day. “I feel like it’s my responsibility to not only provide eye-candy but contribute to the relevant conversations of today,” he tells MTV News. The three works he displays at the Atlantic Avenue terminal — a standout piece emphasizing the intersection of culture, art, and identity through the use of contrasting browns and yellows, as well as tribal markings on the face of a sweating subject entranced and empowered by the music playing through their headphones — highlight his bold style, presenting subjects as warriors who champion individuality.
Ever since Tom Holland blew up the internet last week by seemingly confirming his rumored relationship with Zendaya, fans have been dying to know more about the Spider-Man duo.
But it seems that, for now at least, Zendaya is keeping her cards close to her chest, recently hinting that she prefers to keep her private life private — certainly easier said than done for one of the biggest names on the planet.
Gracing the cover of this month’s issue of British Vogue, the Euphoria star gave a rare glimpse into her infamously private romantic life, recalling her refusal to have her first kiss on-screen.
“I remember being on Shake It Up and being like, ‘I’m not gonna do this. I’m going to kiss him on the cheek because I haven’t been kissed yet so I don’t want the kiss to be on camera,” the former child-star explained.
And having gone on to make history with her Emmy win last year, Zendaya is certainly no stranger to life in the spotlight. But, despite her fame, it appears she’s remained committed to keeping her most personal moments away from the public eye.
Click here to read the full article on Buzzfeed News.
An Interpol-issued Red Notice is a global alert to hunt and capture the world’s most wanted. But when a daring heist brings together the top FBI profiler (Dwayne Johnson) and two rival criminals (Gal Gadot, Ryan Reynolds), there’s no telling what will happen.
The high-flying adventure that ensues takes the trio around the world, across the dance floor, trapped in a secluded prison, into the jungle and, worst of all for them, constantly into each other’s company.
The all star cast is joined by Ritu Arya and Chris Diamantopolous. Directed and written by Rawson Marshall Thurber (Central Intelligence, Skyscraper) and produced by Hiram Garcia, Dwayne Johnson and Dany Garcia of Seven Bucks Productions, Beau Flynn’s Flynn Picture Co. and Thurber’s Bad Version, Inc., Red Notice is a stylish globe-trotting game of cat-and-mouse (and cat).
When it comes to running your small business, one of the greatest assets you can acquire to help you succeed is a government contract.
The U.S. government is the largest customer in the world. It buys all types of products and services — in both large and small quantities — and it’s required by law to consider buying from small businesses.
The government wants to buy from small businesses for several reasons, including:
To ensure that large businesses don’t “muscle out” small businesses
To gain access to the new ideas that small businesses provide
To support small businesses as engines of economic development and job creation
To offer opportunities to disadvantaged socio-economic groups
There are a multitude of contracts that can be obtained and further searched into using Sam.gov, but here are a few of the different types of government contracts that could help fund your small business:
Set-aside contracts for small businesses:
To help provide a level playing field for small businesses, the government limits competition for certain contracts to small businesses. Those contracts are called “small business set-asides,” and they help small businesses compete for and win federal contracts.
There are two kinds of set-aside contracts: competitive set-asides and sole-source set-asides.
Competitive set-aside contracts:
When at least two small businesses could perform the work or provide the products being purchased, the government sets aside the contract exclusively for small businesses. With few exceptions, this happens automatically for all government contracts under $150,000.
Some set-asides are open to any small business, but some are open only to small businesses who participate in SBA contracting assistance programs.
Sole-source set-aside contracts:
Most contracts are competitive, but sometimes there are exceptions to this rule. Sole-source contracts are a kind of contract that can be issued without a competitive bidding process. This usually happens in situations where only a single business can fulfill the requirements of a contract. To be considered for a sole-source contract, register your business with the System for Award Management (SAM) and participate in any contracting program you may qualify for.
In some cases, sole-source contracts must be published publicly, and will be marked with an intent to sole source. Potential vendors can still view and bid on these contracts. Once the bidding process begins, the intent to sole-source may be withdrawn.
Contracting Assistance Programs:
The federal government uses special programs to help small businesses win at least at 23 percent of all federal contracting dollars each year. There are different programs for different attributes of a small business, such as:
8 (a) Business Development Program: Small Disadvantaged businesses.
Women-Owned Small Business Federal Contracting Program: Women-owned businesses
SBA Mentor-Protégé program: Sets up your business with an experienced government contractor
Natural Resource Sales Assistance Program: Provides natural resources and surplus property to small businesses.
Joint Ventures: Allows businesses to team up and acquire government contracts (more info below)
Two or more small businesses may pool their efforts by forming a joint venture to compete for a contract award. A joint venture of multiple small businesses still qualifies for small business set-aside contracts if its documentation meets SBA requirements.
Small businesses that have a mentor-protege relationship through the All-Small Mentor-Protege program can form a joint venture with a mentor (which can be a large business). These joint ventures can compete together for government contracts reserved for small businesses.
A joint venture can also bid on contracts that are set aside for service-disabled veteran-owned, women-owned, or HUBZone businesses, if a member of the joint venture meets SBA requirements to do so.
If you still have questions or are looking for additional information, visit sam.gov or sba.gov. No matter what your situation is, there are many opportunities available to help your small business succeed.
Michael B. Jordan’s upcoming college basketball showcase, spotlighting men’s teams from Historically Black Colleges and Universities (HBCUs) added Turner Sports and Invesco QQQ as partners.
The newly named Invesco QQQ Legacy Classic will take place on Saturday, Dec. 18, at the Prudential Center in Newark, N.J. TNT will televise the doubleheader competition between Hampton University and North Carolina Central University, plus Howard University versus North Carolina A&T University.
The event — presented with WME Sports (the sports division of WME, an Endeavor company), Harris Blitzer Sports & Entertainment (HBSE) and Scout Sports and Entertainment (a division of Horizon Media) — was previously announced as the Hoop Dreams Classic.
“I am thrilled to finally announce the four HBCUs that will be competing in the inaugural Legacy Classic,” Jordan said, announcing the latest updates.
“Invesco QQQ and Turner Sports have been amazing partners in helping bring this experience to life,” he continued. “I grew up watching basketball games on TNT, so I am confident they will deliver this set of games to a true audience of basketball fans and their families in an exciting way.”
In addition to the basketball game, the Invesco QQQ Legacy Classic is also set to feature an immersive cultural experience that highlights elements of HBCU life and culture, including a band showcase, a live musical performance, college and career opportunities and more.
“We are excited for this partnership with Michael B. Jordan and all of the event organizers as we present the inaugural Legacy Classic,” Tina Shah, Turner Sports’ executive vice president and general manager, added. “We’re looking forward to having this unique opportunity to showcase these four college basketball programs, while highlighting HBCUs both leading up to and during the event.”
Click here to read the full article on Yahoo! Entertainment
Jay-Z loves working with his wife Beyonce because she is ‘super detail-orientated’ and ‘inspiring’.
The power couple have collaborated musically, toured together, and, most recently, joined forces for Tiffany & Co’s About Love campaign.
And the 51-year-old music mogul has revealed why it’s so easy to work with his ‘super talented’ spouse.
Speaking in a rare interview with Entertainment Tonight at the 18th anniversary of his 40/40 Club in New York City on Saturday night the 99 Problems hitmaker gushed: ‘She’s super detail-oriented, obviously, as you can see from her work.
The star-studded bash was also attended by the likes of Megan Thee Stallion – who is signed to Jay-Z’s Roc Nation label – Swizz Beatz and Busta Rhymes, to name a few.
The high-profile duo’s romance is the center of the ad for the luxury jewelry brand, which launches on September 2.
In a statement, the Crazy in Love pair said: ‘Love is the diamond that the jewelry and art decorate.’
The Destiny’s Child star and her other half – who have Blue Ivy, nine, and four-year-old twins Rumi and Sir together – have also created a dazzling film for the brand filmed by Jay-Z on a Super 8 camera, which arrives on September 15.
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Bed Bath & Beyond Inc. announced Nicole Cokley Dunlap as its Chief Diversity Officer. Cokley Dunlap will lead the company’s diversity, equity and inclusion (DE&I) strategy.
Cokley Dunlap brings more than 25 years of expertise to her role and will report directly to Lynda Markoe, EVP and Chief People and Culture Officer. She will begin in her new role in September 2021.
Cokley Dunlap comes to Bed Bath & Beyond from Macy’s Inc., where she held roles with increasing levels of leadership responsibilities across Bloomingdale’s and Macy’s Inc. in human resources, employee giving, diversity and inclusion, and store management.
The Howard University alum served as vice president of Macy’s DE&I strategy since 2019 and built strategies that helped drive diversity, engagement, performance, and business growth. Before that, she was Bloomingdale’s vice president, DE&I, Employee Giving and Human Resources Business Partner. Cokley Dunlap also serves as Co-President of BRAG (Black Retail Action Group) , a non-profit organization that prepares and educates people of color for executive leadership roles in retail, fashion, and related industries.
As part of its ESG strategy, Bed Bath & Beyond committed to becoming a Top 10 retail employer by 2030 by creating an equitable, inclusive work environment where all associates feel at home and can thrive. The company has set diversity, equity, and inclusion goals to reach at least 50% women representation and at least 25% racial and/or ethnic diversity at all levels by this time.
Cokley Dunlap will oversee the strategy and execution of these goals as well as partner across the enterprise to build stronger relationships with customer communities and diverse business vendors. Cokley Dunlap’s focus on implementing programs that drive inclusion and belonging will further advance the company’s people-powered focus and create and sustain its talent engine.
Markoe commented, “Nicole is a consummate leader with tremendous relationships and expertise in DE&I and will help us deliver change that is needed within our company and the communities we serve. Building our community, both inside and outside the company, is of paramount importance as we execute against Bed Bath & Beyond’s transformation plans. One of our five key practices in our strategic transformation framework is championing diversity and community, and we are pleased to appoint a Chief Diversity Officer as talented and proven as Nicole.”
Cokley Dunlap said, “As a values-driven company, I am excited to be a part of Bed Bath and Beyond’s transformation to advance the DE&I goals. With an emphasis on associates, customers, and communities, I look forward to working across the organization to optimize DE&I initiatives to drive innovation and business results.”
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Singer Beyoncé and her rapper husband Jay-Z are once again turning heads. And this time, they’re making history too.
The powerhouse couple is the new face of a Tiffany & Co. ad campaign “celebrating modern love,” the luxury jeweler announced Monday.
Photos from the ABOUT LOVE campaign — including several shared on Beyoncé’s Instagram account — are drawing admiration across social media, both for the stunning images and for the historic firsts they represent.
Beyoncé can be seen wearing a large yellow diamond necklace in the photos. That’s the iconic 128-carat Tiffany Diamond, which the company acquired in 1878 and rarely puts on display. (Audrey Hepburn famously wore it in publicity photos for Breakfast at Tiffany’s, and Lady Gaga wore it to the 2019 Academy Awards.)
Beyoncé is only the fourth woman, and the first Black woman, to wear the diamond in more than a century.
That’s not the only milestone. Some of the photos show the couple posed in front of a large turquoise painting — Jean-Michel Basquiat’s Equals Pi. The 1982 work came from a private collection and has never been seen before in public, according to Tiffany.
This is also a personal first for the Carters. It’s the first campaign they’ve appeared in together, and Tiffany describes it as “an exploration of connection and vulnerability.” Beyoncé and Jay-Z, who got married in 2008, have a well-documented history of ups and downs, which NPR Music’s Rodney Carmichael walks us through here.
“Ushering in a new brand identity, this campaign embodies the beauty of love through time and all its diverse facets, forging a new vision of love today,” the company said.
Tiffany & Co. is also pledging $2 million toward scholarship and internship programs for historically Black colleges and universities, with more details on the initiative to come.