Black women are finally shattering the glass ceiling in dance

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Dionne Figgins, artistic director of Ballet Tech, is one of several Black women named recently to leadership posts in dance. (Jeenah Moon for The Washington Post)

By Sarah L. Kaufman, Washington Post

Linda-Denise Fisher-Harrell knows how it feels to be the only Black dancer in the dressing room.

“Everyone was friendly, but it was a lonely feeling that nobody looked like me,” says the former star of Alvin Ailey American Dance Theater, recalling her first dance job 30 years ago, with Hubbard Street Dance Chicago.

“So when it came to styling my hair, I couldn’t rely on anyone to help advise me. There were so many little things like that.”

Throughout the concert-dance world, dancers of color have often shared that sense of isolation and difference. But in recent months, some significant appointments offer hope of change. In March, Fisher-Harrell began leading the company where she once felt so alone. As the new artistic director of Hubbard Street, a widely respected contemporary troupe founded by Broadway dancer Lou Conte, she is one of very few Black women heading traditionally White-led dance organizations.

Fisher-Harrell, who most recently had been teaching at Towson University and the Baltimore School for the Arts, made changes quickly at Hubbard Street. She hired four dancers of color, bringing the total at the 14-member company to six dancers.

Three more Black women have recently assumed dance leadership roles, in front-office moves that are rare in the dance world. Each has led a distinguished performance career in premiere companies on international stages followed by years as dance educators.

Endalyn Taylor is the new dean of the dance school at the prestigious University of North Carolina School of the Arts in Winston-Salem. A former leading ballerina of Dance Theatre of Harlem, an original cast member of “The Lion King” and “Aida” on Broadway, and a dance professor at the University of Illinois, Urbana-Champaign, Taylor succeeds former American Ballet Theatre principal Susan Jaffe.

Click here to read the full article on the Washington Post.

‘The Color Purple’ Trailer: Fantasia Shines in Musical Remake by Oprah Winfrey and Steven Spielberg

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Fantasia

By Charna Flam, Jazz Tangcay, Angelique Jackson, Variety

Oprah Winfrey and Steven Spielberg have reunited to revive “The Color Purple” into a movie musical, directed by Blitz Bazawule.

After debuting footage for distributors at CinemaCon last month, Warner Bros. has released the first trailer for the new adaptation, which is set to premiere in North America on Dec. 25. The film will open internationally beginning Jan. 18, 2024.

The trailer features visually bold motifs as it takes audiences inside Celie’s headspace with “American Idol” winner Fantasia reprising her Broadway role, in her major motion picture debut. It also gives an insight into the sisterhood of the women at the heart of the story. Elevated by grandeur, the highlights are the musical clips and jaw-dropping production set against the backdrop of Mister’s Farm.

Starring alongside Fantasia are Danielle Brooks as Sofia, who earned a Tony nomination for the role in the 2016 Broadway revival, Taraji P. Henson as Shug Avery, Colman Domingo as Mister, H.E.R. as Squeak, Halle Bailey as Young Nettie, Corey Hawkins as Harpo and Aunjanue Ellis-Taylor as Mama.

The adaptation’s cast also features Louis Gossett Jr. as Ol’ Mister, David Alan Grier as Reverend Avery, Ciara as Nettie, Deon Cole as Alfonso, Phylicia Pearl Mpasi as Young Celie, Tamala J. Mann as First Lady and Stephen Hill as Buster, as well as Jon Batiste as Grady and Elizabeth Marvel as Miss Millie.

In one scene, Shug Avery shows Celie how to apply lipstick. During a virtual event launching the trailer, Winfrey revealed the line was improvised. “When she says, ‘Oh, living God.’ That was an ad-libbed line that comes out of that moment when you’re with your sister and you’re looking at her in lipstick for the first time and you’re happy for her,” she explained.

Winfrey was also asked about the need to retell “The Color Purple” story almost 40 years later. Winfrey, who serves as a producer on the film, alongside Spielberg, Scott Sanders and Quincy Jones, replied, “As long there is a need for self-discovery, self-empowerment, as long as there is a need for victory in someone’s life, as long as there is a need for people to know what it feels like to be loved up and to be made full and hold to somebody else’s love, there will be a need for ‘The Color Purple.’”

With the film’s Christmas day release, Winfrey and Bazawule hope the film’s message will bring healing. Winfrey recalled a recent conversation with Fantasia who said, “The movie changed her because it allowed her to forgive. She said, ‘People coming to this movie will be healed because I was healed.’”

Read more of this article on Variety.com

Nicolas Hamilton: Racing to Make a Difference

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Nicolas Hamilton poses in front of his car during the Goodwood Festival of Speed at Goodwood in Chichester, England

By Natalie Rodgers

If you’re a fan in any capacity to Formula 1 racing, then you know who Lewis Hamilton is. One of the greatest car racers, Hamilton has taken the world by storm—not only for his abilities on the track but for his dedication to diversity and inclusion within his sport.

But the latest achievement in the world of Formula 1 doesn’t come from Lewis, but from his brother, Nicolas.

Earlier this year, Nicolas “Nic” Hamilton, who has cerebral palsy, became the first person with a disability to drive an F1 simulator. Complete with the ensemble, mechanics and capabilities of an F1 vehicle, the simulator is designed to create a hyper-realistic replica of the F1 driving experience. The simulation is almost exclusively used by F1 racers, and even then, the opportunity to try the technology is rare.

But thanks to a collaboration between the Hamilton brothers, F1 and Mercedes; Nic was able to take the coveted experience for a spin. The F1 team even made modifications to the simulator to fit Nic’s accessibility needs.

“Time in the sim is incredibly rare, and not something accessible for someone like my brother,” Lewis Hamilton wrote on Instagram of the experience. “It took custom modifications to the seat, steering wheels and pedals to make this possible. He’s always been a fighter and seeing him have this day is an honor. The smile you see here never left his face.”

Race winner Lewis Hamilton of Great Britain and Mercedes GP celebrates with his brother, Nicolas, during the Formula One Grand Prix
NORTHAMPTON, ENGLAND – JULY 16: Race winner Lewis Hamilton of Great Britain and Mercedes GP celebrates with his brother Nicholas during the Formula One Grand Prix of Great Britain at Silverstone on July 16, 2017 in Northampton, England. (Photo by Dan Mullan/Getty Images)

Though this was Nic’s first time behind the wheel of an F1 simulation, this was far from his first time behind the wheel of a racing vehicle. In 2011 at the ripe age of 19, Nic made his racing debut at the Renault Clio Cup United Kingdom, a touring car racing event. Using a modified vehicle, Nic currently competes with the British Touring Car Championship and has raced in over 180 competitions in his 12-year career as a professional driver.

Nic was first introduced to the world of racing as a child, frequently attending races with his brother. After years of playing racing video games and watching his brother drive, Nic decided that he wanted to follow his ultimate dream: Becoming a racer himself. Using a wheelchair for most of his childhood and teenage years, Nic was determined to show the world that having cerebral palsy doesn’t prevent people from following their passions. Through training, accessibility and his own personal determination, Nic was not only able to become a race car driver, but achieved a personal goal of limiting his need for a wheelchair.

“Without this love of racing, I wouldn’t be the person I am today,” Nic stated in an interview with Mini Cooper. “Motorsport has completely changed my life for the better. And it still keeps me going and gives me a reason to get up in the morning and improve… I don’t think that my love for motorsport will ever die.”

In 2015, Nic became the first person with a disability to compete in the British Touring Car Championship and is currently the only person with a disability in his field. Though he wants to continue his racing career, Nic additionally hopes to write a book and become a motivational speaker in the future.

“By sharing my story, maybe I can help people realize that just being yourself is fine,” Nic continued in his Mini Cooper interview. “You don’t need to fit into the world. Instead, you build your own world and create a place where you feel confident.”

Sources: Mini Cooper, Crash, Wikipedia, Formula1

Queen of Rock ‘n’ Roll Tina Turner Passes Away at 83 After Long Illness

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Tina Turner

The legendary singer died Wednesday, May 24 after a long illness at her home near Zurich in Switzerland, her publicist Bernard Doherty confirmed in a statement.

“Tina Turner, the “Queen of Rock’n Roll” has died peacefully today at the age of 83 after a long illness in her home in Küsnacht near Zurich, Switzerland. With her, the world loses a music legend and a role model,” the statement read. “There will be a private funeral ceremony attended by close friends and family. Please respect the privacy of her family at this difficult time.”

Since 1994 the American-born singer had been living in Switzerland with her husband, German actor and music producer Erwin Bach, earning her Swiss citizenship in 2013. In recent years she battled a number of serious health problems, including a stroke, intestinal cancer and total kidney failure that required an organ transplant.

Boasting one of the longest careers in rock history, Turner scored Billboard Top 40 hits across four decades, earning her Grammys, a Kennedy Center Honor, and entry into the Rock ‘n’ Roll Hall of Fame.

Most recently, Turner was the focal point of an HBO documentary on her life titled Tina.

Turner’s incendiary singing, glittery stage-wear and seemingly inexhaustible energy as the frontwoman for the Ike & Tina Turner Revue made her and her then-husband one of the most electrifying acts of the 1960s, serving up high octane covers of “Proud Mary,” “Come Together,” and “I Want to Take You Higher.”

Striking out on her own as a solo artist in the ’70s, Turner reinvented herself as a star of the MTV age, notching hits with “What’s Love Got to Do with It,” “The Best,” and “Private Dancer” — becoming one of the highest-selling female artists on the planet in the process.

Turner’s early years were marred by her tumultuous marriage to musical partner Ike Turner, who subjected her to brutal acts of physical and psychological abuse. (He died in 2007.) Her survival and harrowing escape was dramatized in the 1993 film What’s Love Got to Do with It starring Angela Bassett.

Born Anna Mae Bullock on Nov. 26, 1939 in the town of Nutbush, Tennessee, Turner began singing in a Baptist church choir. Her childhood was not a happy one; at the age of 11 her mother left home in an effort to flee her abusive husband. Two years later, when Turner was a teen, her father married another woman and left the state, leaving Turner and her sisters in the care of her grandmother.

Turner would meet her future husband Ike in the late 1950s, when he was performing on the St. Louis club circuit with his band, Kings of Rhythm. He was 25 years old, and Turner was just 17.

“Ike wasn’t conventionally handsome,” she wrote in her 2018 memoir My Love Story. “Actually, he wasn’t handsome at all — and he certainly wasn’t my type. I was used to high school boys who were clean-cut, athletic, and dressed in denim, so Ike’s processed hair, diamond ring, and skinny body looked old to me, even though he was only 25. I couldn’t help thinking, ‘God, he’s ugly.'”

Tina became a member of the band, and after a relationship with the sax player, Raymond Hill — which resulted in the birth of her first son, Craig, in 1958 — her association with Ike took a romantic turn. Even when she became pregnant with his child, business was never far from his mind. After the band’s first studio recording with Tina netted Ike $25,000, he sensed an opportunity that had nothing to do with love. “My relationship with Ike was doomed the day he figured out I was going to be his money-maker,” Tina later wrote. “He needed to control me, economically and psychologically, so I could never leave him.”

Around this time, Ike gave the future superstar her famous moniker — against her wishes. “Tina” was inspired by a character in a favorite television show. He also insisted she take his surname, implying both marriage and a certain degree of ownership. In fact, he even trademarked the name “Tina Turner.”

Read the complete article posted on People here.

Disney Releases Trailer for ‘Wish’ and The New Princess Has Braids

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Disney princess with flowing braids looking to sky

Academy Award-winner Ariana DeBose will portray the first Afro-Latina princess.

The trailer for Disney’s latest animation film, Wish, is here, and we’re already in love with the leading princess, voiced by West Side Story Academy Award-winning actress Ariana DeBose.

The musical follows the story of Asha, a 17-year-old “driven, incredibly smart and an optimist, a sharp-witted leader in the making who sees darkness that others do not.” She partners with the magical wishing star, named Star, and soon realizes sometimes dreams do come true.

DeBose will be playing Disney’s first Afro-Latina princess sporting the prettiest set of braids.

She made history as the first Afro-Latina and first openly queer woman of color to win an Academy Award for acting after taking home the win for “Best Supporting Actress” for her performance in the iconic role of Anita in Steven Spielberg’s West Side Story.

The studio elevated its creativity using a new style of animation technique, which blends elements of watercolor with 3D CG animation that the studio had reportedly long sought after and even attempted in earlier films such as Tangled.

The film also stars Chris Pine as King Magnifico, the charismatic leader of the kingdom of Rosas, and Alan Tudyk as Asha’s pet goat Valentino. Frozen’s Chris Buck and Raya and the Last Dragon story artist Fawn Veerasunthorn is set to direct. The film hits theaters on Nov. 22.

Watch the first trailer below!

Click here to read the original article posted on BET.
Photo courtesy of Disney

Beyoncé to donate $2 million to students and small business owners during Renaissance tour

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Beyonce onstage at the 2023 grammys acceptance speech

By Randi Richardson, today.com

Beyoncé’s Renaissance World Tour is doubling as a philanthropic tour. Her charity foundation, BeyGood, announced on April 20 that it is donating $2 million to entrepreneurs and students while the most-Grammy-winning artist tours the country for her latest album “Renaissance.”

Half of the donation will go to entrepreneurs. The day before Beyoncé’s scheduled concert in a city, BeyGOOD will host luncheons for entrepreneurs who have the chance to win a grant from the 100 allocated for each networking event. BeyGOOD plans to support a thousand small businesses with a total donation of $1 million.

The foundation said it is prioritizing organizations that support or serve marginalized and under-resourced communities. Applications to apply for a spot are now open.

The other half of the funds will establish the Renaissance Scholarship Fund. BeyGood will give $1 million to colleges and universities in 10 cities across the country with each institution receiving $100,000. The institution will then select student recipients.

“We are keenly aware of the barriers to access, opportunity, and resources that disproportionately impact BIPOC communities,” McGregor said. “Our work is rooted in the belief that education, pathways for employment and support of entrepreneurship are vehicles that help drive sustainable outcomes.”

Beyoncé founded BeyGood in 2013 during her Mrs. Carter Show World Tour. Since then, the charitable initiative has donated to educational efforts, disaster relief, food, water and housing security, mental health resources and career development in the US and abroad.

“I am hugely proud of the work we have done over a decade at BeyGOOD, here in the US and around the world,” Beyoncé said in a statemetn. “From scholarships to the water crisis in Burundi, to helping families during Hurricane Harvey in my hometown, Houston, it has been beyond fulfilling to be of service.

“Now, as a foundation, we will continue the work of engaging partners through innovative programs to impact even more people,” she continued.

Texas Southern Becomes First HBCU To Win National Title At NCA

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The Texas Southern Lady Tigers cheer HBCU team pose in three rows

By Kenyatta Victoria, Girls United

Texas Southern University became the first HBCU to win a national title at the National Cheerleaders Association. The Lady Tigers scored a significant win during the Cheer Spirit Rally Division l category, opening with a 94.05 performance score.

In the team’s final round, the TSU Tigers closed out their performance with a 96.1 performance score, 96.1 raw scores and 95.5875 event score, making a historic win for the HBCU.

The Lady Tigers (pictured) add to the history Black colleges are making. The team has been working toward this moment since 2022.

The team made it clear they were coming for the national title with a Gold bid at the NCA camp with an All-American award, second place on game day, and winning most spirited.

In 75 years, TSU has become the first HBCU team to win the national championships trophy adding to the conversation surrounding the importance of supporting sports at Black colleges.

Other schools such as Alabama A&M University, Bowie State and Bethune-Cookman University were among the HBCUs that have competed in the competition.

“To see the long hours they’ve dedicated come to fruition in the form of a national championship is amazing as I want to commend the coaching staff and team members for their efforts,” Texas Southern athletics director Kevin Granger said in a news release from the university. “This team has made history at Texas Southern, and everyone a part of TSU nation is proud of their accomplishments.”

Read the original article and more from Girls United here.

Thanks To Help From Tabitha Brown, This Black-Owned Business’ Sales Went From $200 In A Week To Over $23K

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Tabitha Brown and husband wearing matching sweatshirts smiling

Ngozi Nwanji, AfroTech

The power of an influential social media platform has transformed this couple’s business.

Earlier in March, Tabitha Brown and her husband, Chance Brown, posted an episode of their YouTube series, “Fridays with Tab and Chance.” In the video, the two were wearing a sweater set from Brand Avenue — a marriage lifestyle apparel brand.

Within a short period of time, the Black-owned business’ revenue started booming.

Co-founded and launched in 2014 by Marc and Ima Carnelus, the two shared that prior to being featured on Brown’s channel their business had been struggling for six months. From March 3 to March 9, the brand only made around $200 for the week.

“We even considered shutting the business down altogether,” Marc openly shared in an Instagram post. “This is our main source of income and it’s been super tough.”

Ima added, “We have been praying in the midst of all that for a breakthrough, for a sign to keep going, a miracle. We’ve had people really rallying around us, supporting us, praying for us, helping us financially because we still got bills to pay. And God answered our prayers.”

A week after their flatline in sales, their business blew up overnight from the Browns’ video posting.

From March 10 to March 16, the entrepreneurs made over $23,000 — and the sales are still going up.

“This is the Tabitha effect,” Marc emphasized.

“I love this so much and it’s just another reason I can’t wait to bring back Very Good Mondays!!! So happy for you guys @brandaveclothing,” Tabitha Brown shared on Instagram. “Keep believing and keep trusting God, he got you!!!!”

Back in 2020, she started the Very Good Mondays series to feature and support small businesses.

The video that sparked Brand Avenue’s sales isn’t the first time Brown has shown love to Brand Avenue.

View Tabita Brown’s exclusive cover story in Professional WOMAN’s Magazine!

Gabrielle Union-Wade and Dwyane Wade to Receive President’s Award at NAACP Image Awards

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Gabrielle Union and Dwyane Wade on red carpet with Hollywood Reporter logos in background

The philanthropic couple will receive the public service honor at the ceremony on Feb. 25.
Gabrielle Union-Wade and Dwyane Wade will receive the President’s Award at the 54th NAACP Image Awards, the NAACP and BET recently announced.

The honor, recognizing notable achievement and valued public service, will be handed out at the ceremony airing live on Feb. 25 at 8 p.m. ET on BET.

Previous honorees include Muhammad Ali, Colin Powell, Soledad O’Brien, Condoleezza Rice, LeBron James, Rihanna, Jay-Z, Prince Harry and Meghan Markle.

“We’re thrilled to present this award to Gabrielle Union-Wade and Dwyane Wade who together have consistently utilized their platforms to advance social justice and raise awareness to the inequalities existing in our country,” said Derrick Johnson, President and CEO of the NAACP. “We’re proud to recognize the couple’s tireless humanitarian work as they continue to advocate for equality and acceptance for all.”

“Gabrielle Union-Wade and Dwyane Wade are exemplary in their purpose-driven leadership and use of their collective platforms for good,” said Scott Mills, President & CEO, BET. “This year’s recipients of the NAACP President’s Award are not just a timely signifier of the issues that matter most to the community; they are a testament to what is possible when one commits themselves to advancement in those areas. It is a great honor for BET to join the NAACP to amplify these issues and celebrate the leaders doing the work to drive change in our community.”

As a couple, through their Wade Family Foundation, ex-NBA star Dwyane Wade and actress Gabrielle Union-Wade have been at the forefront of providing relief to marginalized communities in need, helping to advance racial justice and LGBTQ equality. The activist couple has been particularly visible on matters of LGBTQ support helping raise money for the nonprofit GLSEN, which is dedicated to ending bullying and discrimination in schools.

On an individual level, Gabrielle Union-Wade has provided support and backed various causes including the Van Ness Recovery House, Leap for Ladies, Out Nebraska, Deborah’s Place, Harvest House, and Baltimore Safe Haven. In addition to financial contributions, Gabrielle is focused on using her platform as a public figure to bring awareness to the work these organizations and others are doing to support underrepresented communities.

Read the full exclusive article on the Hollywood Reporter.

BLACK MUSIC ACTION COALITION AND THE ACADEMY OF COUNTRY MUSIC ANNOUNCE PARTNERSHIP TO LAUNCH ONRAMP PROGRAM FOR FUTURE LEADERS

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ONRAMP logo

Celebrated Organizations Join Forces for New Initiative Supporting Young Black Members of the Music Community in Nashville, TN

LOS ANGELES (February 21, 2023) – The Black Music Action Coalition (BMAC) and the Academy of Country Music (ACM) proudly announced today a new partnership to launch, sustain and support “OnRamp,” a guaranteed income program for 20 young, Black members of the music community, including artists and industry professionals, in Nashville, Tennessee. The OnRamp program, focused on improving inclusivity and equity within Music City, aims to empower the next generation of leaders in the early stages of their careers by granting access to professional development opportunities, community mentorship, and other opportunities to increase personal growth, industry exposure, exclusive Academy membership panels and tentpole live events, and visibility with Academy Board members and industry leaders. Additionally, through the program, each participant will receive a $1,000 monthly stipend for one year.

OnRamp applications will be available starting in late Spring with the program starting in June, in celebration of Black Music Month and to commemorate the Black Music Action Coalition’s third anniversary. Interested candidates can visit acmcountry.com/onramp today to sign up for email notifications when applications are rolled out.

“It speaks volumes for the Black Music Action Coalition and the Academy of Country Music to join forces to launch a guaranteed income program in Nashville for emerging Black artists and young professionals. I applaud Damon Whiteside, the ACM Board and the Level Up team for sharing our vision and becoming true partners with BMAC on a direct impact solution that will begin to address long standing racial inequalities that exist in this country,” said Willie “Prophet” Stiggers, co-founder/co-chair Black Music Action Coalition.

“The Academy has a rich history of fostering diversity and inclusion in the Country Music industry both on stage and behind-the-scenes, and we see this partnership as a particularly impactful way to continue our committed work to making the statement ‘Country Music is for Everyone’ a true reality,” said ACM CEO Damon Whiteside. “We’re excited to work with BMAC on this pivotal and transformative work for our Nashville community by increasing opportunities for young professionals from diverse backgrounds in our industry.”

“When the Academy created the LEVel Up rising leaders program, we asked them to find the most meaningful and impactful ways to welcome people into country music, regardless of who or where they are,” said Board Chair Chuck Aly. “The Academy is proud to support OnRamp and we call on our industry friends and partners to join us in advancing this endeavor and working toward a broader, more successful and more diverse country music business.”

“I’ve seen firsthand over the past year the commitment and passion of the ACM LEVel Up rising leaders cohort, and I commend the Academy and BMAC for coming together on this exciting new program,” said ACM DEI Task Force Chair and ACM Board Member Shannon Sanders. “It’s my pleasure to stand alongside other industry leaders to support this important program, especially during Black History Month. The Academy continues to play a pivotal role in ushering in a new era in Country Music by truly supporting and lifting up those underrepresented in the industry.”

This inaugural program will initially be funded by the Black Music Action Coalition, the Academy of Country Music, and industry partners, and powered by social impact agency BreatheWithMe. The organizations are encouraging corporations and companies operating in Nashville and beyond to make a financial contribution to OnRamp as a means of powering their future equity and inclusion programs. OnRamp is one of many guaranteed income programs BMAC will be announcing throughout the year.

Playing an active role in guiding the OnRamp program and bringing it to life will be the members of the ACM LEVel Up: Lift Every Voice program’s 2022 cohort. ACM LEVel Up is a widely-heralded, Nashville-based professional development and enrichment program for rising leaders in Country Music, funded entirely by the Academy of Country Music at no cost to participants. The two-year curriculum is designed to empower participants to play a pivotal role in expanding the horizons of Country Music into new audiences that transcend demographics and geography. In December 2022, the Academy announced the program’s 2023 cohort, representing an entirely new and unduplicated list of organizations from the 2022 inaugural class.

Last June, Black Music Action Coalition released a report, Three Chords & The ACTUAL Truth, which documented opportunities for improvement in Black representation and participation in the Country Music space. The report called for Music Row, the city of Nashville and its companies, organizations and individuals committed to change and equity to partner with BMAC in a transformational program for Black artists in Nashville. The Academy of Country Music is amongst the first industry leaders to recognize and help facilitate necessary changes within the music community.

The Academy of Country Music has always proudly stood, throughout its almost 60-year history, as a progressive, welcoming organization for all, including an active, community-leading commitment to diversity, equity, and inclusion stretching across all facets of the industry. In its mission statement, the Academy’s Diversity, Equity, and Inclusion initiative affirms a relentless commitment to creating a more inclusive environment for underrepresented groups, encompassing but not limited to, Black, Indigenous, LGBTQIA+, LatinX and Women in the Country Music industry, from the boardroom to the stage.

For more information regarding the Black Music Action Coalition, please visit bmacoalition.org. For more information on the Academy of Country Music, please visit acmcountry.com. Further details about the ACM’s LEVel Up: Lift Every Voice program is available at acmcountry.com/levelup.

About Black Music Action Coalition

The Black Music Action Coalition (BMAC) endeavors to uphold and actualize the mission of Black Lives Matter in the music industry and reach racial justice not just across labels, publishers, agencies, distributors, and DSP’s but throughout society at large. BMAC works together with leaders from various business leaders to hold their companies accountable and implement a system of checks and balances to ensure change takes root. The group fosters and shepherds various educational, mental health, financial literacy, entrepreneurship, policing, social justice, and political causes that directly impact Black communities.

About the Academy of Country Music

Founded in Southern California in 1964 as a regional trade organization, the ACADEMY OF COUNTRY MUSIC (ACM) has grown in the almost-60 years since into a leading association for the Country Music industry. Now headquartered in Nashville, TN and boasting record-high membership of more than 4,900 nationwide, the Academy serves as a powerhouse advocate for Country fans, artists, and all facets of the business, as well as a supporter of philanthropic work through charitable partner ACM LIFTING LIVES, dedicated to improving lives through the power of music and providing aid in times of need, with a focus on health initiatives. 2023 looks to be another monumental year for the Academy with the ACM Awards, the first major awards show to livestream exclusively, returning to Texas on May 11 and streaming live for a global audience on Prime Video. For more information, log onto ACMcountry.com or ACMLiftingLives.org.

Viola Davis Earns EGOT with Grammy Award for Memoir Audiobook Narration

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Viola Davis cover on the Black EOE Journal

“It has just been such a journey,” Viola Davis said of her memoir Finding Me as she accepted the Grammy Award for best audiobook, narration & storytelling recording, bringing her to EGOT status.

Viola Davis is officially an EGOT winner!

The actress, 57, claimed the coveted title — which also requires an Academy Award, Emmy Award and Tony Award — as she won best audiobook, narration & storytelling recording for her memoir Finding Me on Sunday at the 65th Grammy Awards Premiere Ceremony.

“Oh my God! I wrote this book to honor the 6-year-old Viola, to honor her life, her joy, her trauma, everything,” Davis began in her acceptance speech. “And it has just been such a journey. I just EGOT!”

She continued to thank “everybody who was a part of my story, and the best chapter yet, my loves [husband Julius Tennon and 12-year-old daughter Genesis]. You are my life and my joy, the best chapter in my book. Thank you!”

Fellow EGOT winner Jennifer Hudson celebrated the accomplishment on Twitter, sharing a video of Davis’ speech. “Hold the line!!!!!!! Viola Davis just became EGOT #18!!! Omg @violadavis U are absolutely everything! Congratulations to a living LEGEND. Time to celebrate!!!” she wrote.

Davis’ first Grammy win was also her first nomination, beating out Jamie Foxx (Act Like You Got Some Sense), Mel Brooks (All About Me!: My Remarkable Life in Show Business), Lin-Manuel Miranda (Aristotle and Dante Dive into the Waters of the World by Benjamin Alire Sáenz) and Questlove (Music Is History) for the award.

The Woman King star’s journey to EGOT status began in 2001 when she won best featured actress in a play at the 55th Tony Awards for her performance as Tonya in Broadway’s King Hedley II. She was previously nominated in the same category for Seven Guitars in 1996.

In 2010, she won best leading actress in a play for her role of Rose Maxson in Fences, which also earned her first Academy Award in 2017 for Best Supporting Actress in the play’s feature adaptation.

Read the complete article originally posted on People.

Beyoncé Breaks Record For Most GRAMMY Wins In History

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Beyonce onstage at the 2023 grammys acceptance speech

It’s official: Beyoncé has made GRAMMY history. Her win for Best Dance/Electronic Album for ‘RENAISSANCE’ put her GRAMMY total at 33, the most of all time.

By Lior Phillips, GRAMMYS

After winning the award for Best Dance/Electronic Music Album, Beyoncé now holds the all-time record for most GRAMMY wins. While George Solti had previously held that incredible honor, Queen Bey has now overtaken the classical conductor thanks in part to her powerful 2022 record, RENAISSANCE. With 32 GRAMMY awards now in her trophy case — and the potential to add even more still to come this evening — the mega-star produced yet
Photo: Frazer Harrison/Getty Images

another unequaled GRAMMYs moment. The record-tying award came early in the ceremony — so early in fact that Beyoncé had yet to arrive. The GRAMMY for Best R&B Song was instead accepted on her behalf, the legendary Nile Rodgers sharing his story of “CUFF IT” and offering words of thanks. In fact, prior to this year’s ceremony even beginning, Beyoncé had already marked another record: tying her own husband, Jay-Z, as the most nominated artists in GRAMMY history.

When time came for the record-setting GRAMMY win, Beyoncé herself was present, arriving to the stage to a standing ovation and an immeasurable wash of applause. After thanking God and her family, she was sure to highlight a group that made a special impact on this record.

“I’d like to thank the queer community,” she smiled, crediting the early voices in the dance and electronic realm as well as her uncle Jonny, who inspired RENAISSANCE. In host Trevor Noah’s eyes, the conversation about who is considered the GOAT to be over, Beyoncé’s legacy is far from finished.

Read the complete article and more about the GRAMMY’s here.

This Afro-Latina Never Saw Herself Represented Growing Up — Here’s How She’s Working To Change That

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Afro Latina - Bianca Kea sitting behind a table of jack and green apples

By Refinery 29

Growing up in the suburbs of Detroit, Bianca Kea was acutely aware that outside of her family, there were no other Afro-Latinxs that looked like her. No one she could relate to or look up to. But that all changed when she moved to New York City.

“Moving to New York City was such an eye-opening experience,” she recalls. “And it was the first time somebody actually identified me as Afro-Latina — I had never heard the term before, and I was able to learn about my heritage, my history as an Afro-Mexicana.” Her experience — the realization and recognition of being Afro-Latina, of being both Black and Mexican, and not feeling like she had to choose one or the other — led to her launching Yo Soy AfroLatina, an online platform and lifestyle brand that celebrates “Afro-Latinidad in the Americas and validates our hermanas’ experience.” It was born out of not seeing herself represented and wanting to create something that would not only make an impact on the culture, but also cultivate a community. “We all have different experiences — we’re not a monolith — and it’s important for people to understand what it means to be at the intersection of two beautiful cultures,” Kea says. “I hope we’re able to break down stereotypes, empower people, and allow them to be Afro-Latina. Just be yourself.”

That’s why Refinery29 is partnering with Jack Daniel’s Tennessee Apple to produce Valiente Y Fuerte — a video campaign designed to amplify the voices of Latinx creatives like Kea who inspire us every day. Watch the video above for more information about Yo Soy AfroLatina — and how Kea is turning her passion into a legacy.

Click here to read the full article on Refinery 29.

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