Linda-Denise Fisher-Harrell knows how it feels to be the only Black dancer in the dressing room.
“Everyone was friendly, but it was a lonely feeling that nobody looked like me,” says the former star of Alvin Ailey American Dance Theater, recalling her first dance job 30 years ago, with Hubbard Street Dance Chicago.
“So when it came to styling my hair, I couldn’t rely on anyone to help advise me. There were so many little things like that.”
Throughout the concert-dance world, dancers of color have often shared that sense of isolation and difference. But in recent months, some significant appointments offer hope of change. In March, Fisher-Harrell began leading the company where she once felt so alone. As the new artistic director of Hubbard Street, a widely respected contemporary troupe founded by Broadway dancer Lou Conte, she is one of very few Black women heading traditionally White-led dance organizations.
Fisher-Harrell, who most recently had been teaching at Towson University and the Baltimore School for the Arts, made changes quickly at Hubbard Street. She hired four dancers of color, bringing the total at the 14-member company to six dancers.
Three more Black women have recently assumed dance leadership roles, in front-office moves that are rare in the dance world. Each has led a distinguished performance career in premiere companies on international stages followed by years as dance educators.
Endalyn Taylor is the new dean of the dance school at the prestigious University of North Carolina School of the Arts in Winston-Salem. A former leading ballerina of Dance Theatre of Harlem, an original cast member of “The Lion King” and “Aida” on Broadway, and a dance professor at the University of Illinois, Urbana-Champaign, Taylor succeeds former American Ballet Theatre principal Susan Jaffe.
Click here to read the full article on the Washington Post.
Denzel Washington delivers an Academy Award-winning performance as a veteran narco police officer opposite Ethan Hawke, the idealistic rookie, in this gritty film noir that blurs the line between legal and corrupt justice.
“Oh my God! I wrote this book to honor the 6-year-old Viola, to honor her life, her joy, her trauma, everything,” Davis began in her acceptance speech. “And it has just been such a journey. I just EGOT!”
She continued to thank “everybody who was a part of my story, and the best chapter yet, my loves [husband Julius Tennon and 12-year-old daughter Genesis]. You are my life and my joy, the best chapter in my book. Thank you!”
Fellow EGOT winner Jennifer Hudson celebrated the accomplishment on Twitter, sharing a video of Davis’ speech. “Hold the line!!!!!!! Viola Davis just became EGOT #18!!! Omg @violadavis U are absolutely everything! Congratulations to a living LEGEND. Time to celebrate!!!” she wrote.
The Woman King star’s journey to EGOT status began in 2001 when she won best featured actress in a play at the 55th Tony Awards for her performance as Tonya in Broadway’s King Hedley II. She was previously nominated in the same category for Seven Guitars in 1996.
In 2010, she won best leading actress in a play for her role of Rose Maxson in Fences, which also earned her first Academy Award in 2017 for Best Supporting Actress in the play’s feature adaptation.
Read the complete article originally posted on People.
After winning the award for Best Dance/Electronic Music Album, Beyoncé now holds the all-time record for most GRAMMY wins. While George Solti had previously held that incredible honor, Queen Bey has now overtaken the classical conductor thanks in part to her powerful 2022 record, RENAISSANCE. With 32 GRAMMY awards now in her trophy case — and the potential to add even more still to come this evening — the mega-star produced yet Photo: Frazer Harrison/Getty Images
another unequaled GRAMMYs moment. The record-tying award came early in the ceremony — so early in fact that Beyoncé had yet to arrive. The GRAMMY for Best R&B Song was instead accepted on her behalf, the legendary Nile Rodgers sharing his story of “CUFF IT” and offering words of thanks. In fact, prior to this year’s ceremony even beginning, Beyoncé had already marked another record: tying her own husband, Jay-Z, as the most nominated artists in GRAMMY history.
When time came for the record-setting GRAMMY win, Beyoncé herself was present, arriving to the stage to a standing ovation and an immeasurable wash of applause. After thanking God and her family, she was sure to highlight a group that made a special impact on this record.
“I’d like to thank the queer community,” she smiled, crediting the early voices in the dance and electronic realm as well as her uncle Jonny, who inspired RENAISSANCE. In host Trevor Noah’s eyes, the conversation about who is considered the GOAT to be over, Beyoncé’s legacy is far from finished.
Read the complete article and more about the GRAMMY’s here.
Growing up in the suburbs of Detroit, Bianca Kea was acutely aware that outside of her family, there were no other Afro-Latinxs that looked like her. No one she could relate to or look up to. But that all changed when she moved to New York City.
“Moving to New York City was such an eye-opening experience,” she recalls. “And it was the first time somebody actually identified me as Afro-Latina — I had never heard the term before, and I was able to learn about my heritage, my history as an Afro-Mexicana.” Her experience — the realization and recognition of being Afro-Latina, of being both Black and Mexican, and not feeling like she had to choose one or the other — led to her launching Yo Soy AfroLatina, an online platform and lifestyle brand that celebrates “Afro-Latinidad in the Americas and validates our hermanas’ experience.” It was born out of not seeing herself represented and wanting to create something that would not only make an impact on the culture, but also cultivate a community. “We all have different experiences — we’re not a monolith — and it’s important for people to understand what it means to be at the intersection of two beautiful cultures,” Kea says. “I hope we’re able to break down stereotypes, empower people, and allow them to be Afro-Latina. Just be yourself.”
That’s why Refinery29 is partnering with Jack Daniel’s Tennessee Apple to produce Valiente Y Fuerte — a video campaign designed to amplify the voices of Latinx creatives like Kea who inspire us every day. Watch the video above for more information about Yo Soy AfroLatina — and how Kea is turning her passion into a legacy.
Click here to read the full article on Refinery 29.
Chance the Rapper is not holding back when it comes speaking about the benefits of prioritizing mental health.
In a new interview with Taraji P. Henson and her best friend Tracie Jade on Facebook Watch’s Peace of Mind with Taraji, the rapper opened up about dealing with the “dark days” of his mental health and how it inspired him to fight for better mental health services in Black communities.
“I think Black men are naturally guarded,” he said when asked about the pressure many Black men face to “man up” and not show their emotions. “You kind of have to be [because] your weakness is preyed upon. So, I think it’s a defense mechanism. You go to a funeral, like, you kind of don’t want to cry. You know what I mean? You don’t want to subject yourself to the feeling of like, that weakness, of like, you know, it just takes a lot to be cathartic, to cry, to empty yourself.”
“I saw my friend killed in front of me when I was 19,” he continued. “I’ve seen people I didn’t know get killed too, and you become kind of like numb to it. Somebody else died last week. But it stays with you, you know what I mean? And you don’t realize until later [that] it could have lasting effects.”
It was these types of discoveries that led him to donate $1 million in 2019 to mental health services in his hometown of Chicago through SocialWorks, his nonprofit organization.
“A couple of years ago, I, for the first time experienced a friend, somebody that I knew from growing up, that was having a mental health crisis,” he said. “His family and his friends had exhausted their efforts over years and years of trying to help. I didn’t really know that much about this stuff. There’s probably a ton of situations where people, you know, we just wrote them off as like, ‘crazy,’ or like, ‘they was tweaking.’ But they were actually going through a chronic mental health disorder.”
After realizing “the kind of care” his friend needed “wasn’t available in the city” for those who can’t afford it, he decided to team up with local advocates to help build the change.
“We basically found every possible mental health initiative within the city of Chicago, and then within Cook County, and then eventually through the entire state of Illinois,” he explained. “[We] created this app that allows people to get in contact, whether it’s an in-person meeting or tele-health, with a mental health service provider, and get the help that they need, instantly from their phone. And it’s free.”
While Chance acknowledges it’s great that celebrities are starting to drive the message that “health is beyond just our physical state,” he argues that equal access to mental health services isn’t going to happen until those in power, particularly “our lawmakers and the billion-dollar companies,” rise to meet the community’s need.
“We’re talented people, but we’re not the people that make the big decisions,” he said. “We’re not the people that write the biggest checks. Those kind of things have to happen.”
Click here to read the full article on Yahoo! Life.
Angela Bassett won the Golden Globe award Tuesday for her performance as Queen Ramonda in “Black Panther: Wakanda Forever,” making the 64-year-old the first actor ever to win a major individual acting award for a movie based on Marvel Comics.
The evening marked Bassett’s second win (and second nomination) at the Globes; she took home the trophy for best actress in a musical or comedy for 1993’s Tina Turner biopic “What’s Love Got to Do With It.”
“I got to find my words. I’m so nervous. My heart is just beating,” Bassett began, taking the stage to accept the award. “The late Tony Morrison said that your life is already a miracle of chance just waiting for you to order its destiny. But in order for that destiny to manifest, I think that it requires courage to have faith. It requires patience, as we just heard. And it requires a true sense of yourself. It’s not easy because the past is circuitous and it has many unexpected detours, but, by the grace of God, I stand here. I stand here grateful.”
Bassett took the space to thank her husband, fellow actor Courtney B. Vance, her family and her Marvel collaborators, “Wakanda Forever” director Ryan Coogler, Victoria Alonso, Nate Moore, Kevin Feige and Louis D’Esposito. Bassett also acknowledged the death of “Black Panther” star Chadwick Boseman, who died of colon cancer in 2020. Boseman’s death casts a shadow over the plot of “Wakanda Forever.”
“We embarked on this journey together with love. We mourned, we loved, we healed. We were surrounded each and every day by the light and the spirit of Chadwick Boseman,” Bassett said. “We have joy in knowing that with this historic ‘Black Panther’ series, it is a part of his legacy that he helped to lead us. We showed the world what Black unity, leadership and love looks like, behind and in front of the camera. To the Marvel fans, thank you for embracing these characters and showing us so much love.”
Backstage, Bassett was characteristically composed as she was asked if she had any hesitation about attending the show given the Hollywood Foreign Press Assn.’s recent controversary over the lack of Black members in the press organization.
“The HFPA has made strides,” Bassett said. “They know what needs to be done.”
Prior to Bassett’s win for “Wakanda Forever,” only four actors, and no women, had even been nominated for a Golden Globe for acting in a superhero movie: Nominees Ryan Reynolds for 2016’s “Deadpool” (actor in musical/comedy) and Jack Nicholson for 1989’s “Batman” (actor in musical/comedy), as well as winners Joaquin Phoenix for 2019’s “Joker” (actor in drama) and Heath Ledger for 2008’s “The Dark Knight” (supporting actor). Phoenix and Ledger, who both played variations on the DC Comics villain the Joker, were the major winners in their respective years across awards season, taking home the SAG Awards and the Oscars as well (Ledger’s wins were posthumous).
This isn’t the first time Bassett has earned a top award for playing Queen Ramonda, however: She was also part of the group of actors from 2018’s “Black Panther” who won best ensemble at the SAG Awards.
Prime Universal Network, a division of Prime Local TV Network, Inc., has signed a distribution agreement with international manufacturer, Hisense, and their content platform VIDAA. They will place Prime Universal Network’s positive content TV App onto 140 million currently purchased televisions and an additional 30+ million new televisions annually.
Prime Universal Network’s content platform called – The Positive People Platform, came into existence in 2018 after Rodney and Holly Harris began their search for positive and uplifting human interest stories being showcased on a consistent basis.
The Positive People Platform offers only positive content produced by the couple and other content producers, with a variety of short stories, sports, documentaries, and events. Their platform showcases the positive and unique experiences of ordinary people.
Mission – To change the negative narrative and misunderstanding that positive content means boring. Positive can be and is exciting, interesting, and informative. Our world already has enough negative content.
History – How did they get started in media? Born in the Akron/Canton region of Ohio, they began covering their hometown hero, LeBron James, when he played with both Cleveland/Miami NBA teams. They also covered most of his NBA Finals games.
For as long as Twitter’s been around, every Thursday night, the timeline is flooded with tweets cursing Shonda Rhimes’ name, usually, for something devastating that’s happened on “Grey’s Anatomy.”
Even though she hasn’t been the showrunner of “Grey’s” for a few years, she will forever be linked to the hugely successful, 17-season-long (and counting!) medical drama. But Rhimes has done plenty of other things in her career, including writing two films and a memoir.
Rhimes, who now lives in Los Angeles, is so dedicated to her home city that she gets Chicago deep-dish pizza flown in every Christmas Eve, she told Food & Wine in 2017. Her favorite comes from Illinois restaurant chain Aurelio’s, she told the publication.
She’s the youngest of six kids — two older brothers and three older sisters. While growing up in University Park, she shared a room with one of her sisters, Sandie, she wrote in her book, “Year of Yes.” Both of her parents were educators.
Rhimes earned her BA from Dartmouth College.
Much like her own creation Meredith Grey, Rhimes graduated from Dartmouth College. She even cameoed as herself in fellow Dartmouth grad Mindy Kaling’s show “The Mindy Project,” when she attended a Dartmouth alumni beer pong game. After Dartmouth, she earned her MFA from the USC School of Cinema-Television in 1994.
Read ten more interesting facts about Shonda Rhimes at Insider.
Serena Williams, the 23-time Grand Slam champion who has been the face of tennis since winning her first U.S. Open in 1999, said in a magazine article published online on Tuesday that she planned to retire from the sport after playing again in the tournament, which begins later this month.
Williams, who long ago transcended her sport as a dominant cultural figure, said in an as-told-to cover story for Vogue that she has “never liked the word retirement,” and preferred the word “evolution” to describe her next steps. “I’m evolving away from tennis, toward other things that are important to me,” including working with her venture capital firm and growing her family.
She was not explicit about when she might stop playing, but hinted on Instagram that the U.S. Open could be her last tournament. “The countdown has begun,” she said, adding, “I’m gonna relish these next few weeks.”
Williams said that she and her husband, Alexis Ohanian, planned to have another child.
“In the last year, Alexis and I have been trying to have another child, and we recently got some information from my doctor that put my mind at ease and made me feel that whenever we’re ready, we can add to our family. I definitely don’t want to be pregnant again as an athlete. I need to be two feet into tennis or two feet out.”
Williams, whose last Grand Slam tournament victory came while she was pregnant during the Australian Open in 2017, was eliminated from Wimbledon in June in the first round.
“Unfortunately I wasn’t ready to win Wimbledon this year,” Williams said. “And I don’t know if I will be ready to win New York. But I’m going to try. And the lead-up tournaments will be fun.”
Williams has won nearly $100 million in prize money.
With the caveat that there still may be more to come from her this fall, Serena Williams has put a dazzling array of achievements into her sport’s record books.
She has won 23 Grand Slam singles events, ranging from 1999 when she was 17, to 2017. They included seven Australian Opens, three French Opens, seven Wimbledons, and six U.S. Opens. She also has 10 further appearances in Grand Slam singles finals.
Click here to read the full article on the NY Times.
Long dreamed about and under construction for longer than the big league career of the man it honors, the Jackie Robinson Museum opened Tuesday in Manhattan with a gala ceremony attended by the 100-year-old widow of the barrier-breaking ballplayer and two of his children.
Rachel Robinson, who turned 100 on July 19, watched the half-hour outdoor celebration from a wheelchair in the 80-degree heat, then cut a ribbon to cap a project launched in 2008.
Her 72-year-old daughter, Sharon, also looked on from a wheelchair and 70-year-old son David spoke to the crowd of about 200 sitting on folding chairs arrayed in a closed-off section of Varick Street, a major thoroughfare in lower Manhattan where the 19,380-square-foot museum is located.
“The issues in baseball, the issues that Jackie Robinson challenged in 1947, they’re still with us,” David Robinson said. “The signs of white only have been taken down, but the complexity of equal opportunity still exists.”
Rachel Robinson announced the museum on April 15, 2008, the 61st anniversary of Jackie breaking the big league color barrier with the Brooklyn Dodgers at Ebbets Field. Robinson became NL Rookie of the Year, the 1949 NL batting champion and MVP, a seven-time All-Star and a World Series champion in 1955. He hit .313 with 141 homers and 200 stolen bases in 11 seasons and was elected to the Hall of Fame in 1962.
Robinson, who died in 1972, had an impact beyond baseball, galvanizing a significant slice of American public opinion and boosting the civil rights movement.
“There’s nowhere on the globe where dream is attached to our name — or our country’s name,” New York City Mayor Eric Adams said. “There’s not a German dream. There’s not a French dream. There’s not a Polish dream. Darn it, there’s an American dream. And this man and wife took that dream and forced America and baseball to say you’re not going to be a dream on a piece of paper, you’re going to be a dream in life. We are greater because of No. 42 and because he had amazing wife that understood that dream and vision.”
A gala dinner was held Monday night to preview the museum, which contains 4,500 artifacts, including playing equipment and artifacts such as Robinson’s 1946 minor league contract for $600 a month and his 1947 rookie contract for a $5,000 salary. The museum also holds a collection of 40,000 images and 450 hours of footage.
A 15-piece band played at the ceremony, attended by former pitcher CC Sabathia, former NL president Len Coleman and former Mets owner Fred Wilpon along with players’ association head Tony Clark and Hall of Fame president Josh Rawitch.
“Without him, there would be no me,” Sabathia said. “I wouldn’t have been able to live out my dream of playing Major League Baseball.”
Yankees general manager Brian Cashman, director Spike Lee (wearing a Brooklyn Dodgers cap) and former tennis star Billie Jean King also were on hand.
“It seems like we’re more divided than ever,” King said. “People like Jackie Robinson was a great reminder every single morning, every single evening that we have to do the right thing every day.”
Original projections had a 2010 opening and $25 million cost. The Great Recession caused a delay.
Read the complete article originally posted on ESPN here.
Zendaya made history in 2020 when she became the youngest woman — and only the second Black woman (after Viola Davis) — to win in the lead drama actress category at the age of 24. Now, with the 2022 Emmy nods out, Zendaya, has made history yet again as the youngest producer to be nominated for an award after Euphoria’s Outstanding Drama Series nod. Zendaya serves as both a star and executive producer on the series.
The general drama series nod comes as she received three other nominations for her role as Rue Bennett in the HBO drama. She was, once again, nominated for Lead Actress in a Drama Series and also received two nods for Outstanding Original Music for both “Elliot’s Song” with Dominic Fike, and”I’m Tired” with Labrinth.
In the Lead Actress category, she faces off against Killing Eve‘s Jodie Comer and Sandra Oh, Ozark‘s Laura Linney, Yellowjackets’ Melanie Lynskey, and Morning Show‘s Reese Witherspoon.
Meanwhile, Euphoria is nominated for the Outstanding Drama Series category against Better Call Saul, Ozark, Severance, Squid Game, Stranger Things, Succession, and Yellowjackets. (Squid Game is the first non-English-language series to be nominated for the prize.)
The list of “firsts” doesn’t end there for the Oakland-born star. With her nominations, she’s also the first Black woman (and only second Black person) to receive both songwriting and acting nods in the same year.
More history could be made next year by Zendaya as she revealed in a recent interview with Vogue Italia that not only does she want to direct, but she “probably” will direct a future episode of Euphoria. “I was supposed to direct Episode 6 [of Season 2], but then I had to act in it,” she said in the interview. “I didn’t have enough time, so, unfortunately, I wasn’t able to this time around. I wanted to have enough time to do it the right way, so next season probably.”
Click here to read the full article on the Rolling Stone.
You’d have to go pretty far and wide to meet someone who doesn’t know the name Cedric the Entertainer.
Born Cedric Antonio Kyles, the multihyphenate comedian, producer, entrepreneur, host and actor has been a recognizable face in entertainment for almost 30 years. Many recall Cedric from his time as a former host of BET’s ComicView and Def Comedy Jam in the 90s. Others will remember him for his co-starring role in the hit sitcom on WB The Steve Harvey Show, next to fellow comedian and friend Steve Harvey.
However, most fans hear his name and immediately think of the sensation that was The Original Kings of Comedy tour and video in 2000 where he performed beside fellow legends Steve Harvey, D.L. Hughley and the late Bernie Mac.
No matter how you know his name, face or signature laugh, Cedric the Entertainer is always guaranteed to bring a smile to the faces of his audience. He has hosted talk shows, led game shows and even recorded comedic interludes on rap albums: one triple platinum (Jay Z’s The Blueprint), one quadruple platinum (Ye’s Late Registration) and one certified diamond album (Nelly’s Country Grammar). For over 20 years, he has appeared in numerous movies (such as the Barbershop, Madagascar and Ice Age franchises) and television shows, including his current hit The Neighborhood, recently renewed for its fifth season and produced by Cedric’s production company, A Bird and a Bear Ent., which he manages with his longtime partner Eric Roan.
What’s kept him going all these years?
The constant inspiration from fellow artists. “Now, I’m just motivated continually to do great work,” Cedric shared with Black EOE Journal. “We had so many new creators that came on the scene and are doing great things to where I feel like, now, there’s heavy competition all around and great, and you just want to be a part of the conversation.” He’s talking about writers adding culture and depth to the conversation like Ava Duvernay, Lena Waithe and Kenya Barris. He also referenced fellow comedian creators like Kevin Hart. “You just want to keep leveling up,” he said. “That’s why I stay busy and stay at it and stay motivated. I’m actually just excited that the energy is…moving forward and not slowing down…”
And Cedric hasn’t slowed down either.
Building an Empire
From lead comedian at a White House Correspondents’ Dinner to Broadway to host of this past year’s 73rd Primetime Emmy Awards, he is always finding ways to bring joy through his work.
Along with The Neighborhood, his company also produces two shows on the Bounce TV network that are about relevant issues and stories, particularly in the Black community: Johnson, a show that follows the lives of four Black men in their 30s navigating the trials of everyday life. They are childhood friends and happen to have the same last name… Johnson. The other program is a dramedy called Finding Happy about a Black woman working in the Atlanta radio industry, played by comedian and actor B. Simone, who, with the help of some friends, decides on her 36th birthday to make a decision to change her stagnant life and find her own happiness.
According to Cedric, “I guess as far as what has changed [over the years], I feel like so many creators are gaining more and more control of their brands and their ideas that they want to see and do and that becomes even more motivating… the fact that your creativity doesn’t have to be limited to a group of producers, creators or networks that have no idea what you’re about and what your people want to see. Now there’s just a wide array of opportunities.” He also commented on the emergence of new streaming networks and platforms, both large-scale like Netflix, and smaller ones such as those started by social media influencers and content creators from underrepresented backgrounds.
“The networks have to up their game because the streamers are so hot,” he shared. “It opens up the playing field for diversity all across the board. When you think about it, across the cultural diaspora that we have in this country, it just gives great opportunity to see shows and people from different cultures which really allows all of us to grow…and, of course, it’s forced the major institutional networks to have to change up because they’re now getting left behind. So now that gives an opportunity for so many other people to create.”
Along with his creativity on the screen and stage, Cedric the Entertainer is also an ardent businessman. He released his own line of hats a few years ago in his signature style called Who Ced?. “I loved hats from very early on in my career. I had a couple of images when I started to do comedy, and one of them was of my grandfather wearing his fedora. I thought it was cool to do when I was on stage, so I started rocking them and eventually I wanted to expand my brand.” The line was intended to be an inexpensive, everyday wear accessory. However, they’ve recently undergone a rebrand and will soon be launching a new line called Egg & Butter, which will feature hats that are more upscale and Italian-made. Visit eggandbutter.com to sign up for the mailing list for news of the official launch date. He also debuted another business in January of this year, a 100 point, three-time gold medal-winning, two-time Best in Class red blend wine he named after his mother. According to Cedric, “I partnered with Smith and Devereux winery in Napa [Valley]. It’s called Zetta.
My mother’s name was Rosetta. It’s a Napa Valley blend red, beautiful wine. You can go to smithdevereux.com and get a case, get a bottle. It launched on her birthday, January 4.” 10 percent of all profits are donated to the RedRoseReads Foundation to support literacy programs throughout the U.S.
But that’s not all he’s working on. “I’m sure I’ve got a hundred other businesses. I stay busy. I’ve got a very cool thing called Fan Room (fanroomlive.com) that I do which is kind of like an online green room situation where celebrities meet their fans in a virtual environment, and they sit and talk, and they chill with them in the Fan Room. It’s pretty cool. That’s been growing. We started that over the pandemic.”
Always Giving Back
What may surprise many isn’t that Cedric the Entertainer gives back. It’s how many ways and through how many organizations. For example, there’s the Cedric “The Entertainer” Charitable Foundation scholarship that he started in 1996 for high school students in partnership with the United Negro College Fund (UNCF).
“My mother was an educator, a reading specialist,” he said. “She passed a few years ago, but she instilled in my sister and myself this idea of philanthropy, to be able to help give back to help those less fortunate. I started that with an educational program mainly for kids who grew up in single parent households who needed a little help to go to college… partnered with UNCF…partnered with my alma mater Southeast Missouri State University as well as any HBCUs. We’ve been doing that since ‘96, helping kids go to college. We deemed that very important.”
But that’s not all.
“From there, when my mom got ill, [my sister and I] really got involved in women’s health issues. We started a women’s health pavilion in St. Louis, Mo. at St. Mary’s Hospital in her name, the Rosetta Boyce Kyles Women’s Pavilion that deals with all kinds of women’s health issues from athletics for young students to cancer to the heart to just getting people rides to the hospital. That initiative has been something we’ve done for about six years. Of course, I’ve worked with the American Diabetes [Association] because my dad deals with diabetes. So, we did the neuropathy campaign, really trying to get especially Black males to go get checked out; something we don’t do in our culture. We always try to man it out and tough it out and don’t realize these are things we can actually fix and prevent if we got a heads up soon enough.”
Long May He Reign
Cedric the Entertainer’s good work is never done, and we’re thankful for that.
His commitment to making a difference in the world through charity and philanthropy is admirable, but one can’t forget his work with the Academy of Motion Picture Arts and Sciences to help mentor a new generation of voices in media and entertainment.
“My work with the Academy is all about improving the minority participation in this industry, especially coming in at the internship level and giving people the opportunity to be here, to be working and be involved with these shows.”
Cedric has been an outspoken supporter of diversity and inclusion in American society as well as a champion of racial and social equity. “It’s very important. You need a group of people that’s truly and completely about advocacy…We do need people who are all about the advocacy; they’ve got to stay and make people accountable, to show that we’re necessary and worthy of all the stuff we’re asking for.”
But what’s next for The Entertainer?
Anything. Maybe even music?
“I’m a person who likes to write songs. I write little songs and jingles quite a bit.
I haven’t really introduced my music, so I guess people will come to find that out soon,” he told Black EOE Journal. “I haven’t really ever [shown that]. I do them for jokes, but I haven’t really shown some of the sincere stuff that I do.” Well, we’re excited to see what the future holds. Hearing about any new projects Cedric has up his sleeves will surely be sweet music to our ears.
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