“A woman’s hair is her crown” a saying which takes on a deeper meaning for black women. Wearing their natural hair for example in afros or braids is a source of cultural pride. But it sometimes invites social and professional rejection.
Some of the African American women in our community and across the country tell us heavy is the head that wears the crown in the struggle for racial equality. For black women, having access to products and stylists who know how to care for their hair and makeup can be life-changing.
“Just access to basic products sometimes can be a huge barrier to being able to feel really good about how you’re looking,” Renita Robinson the vice-president of diversity and inclusion at Prevea Health shared. “So, with African American hair there are curl patterns and you can have super curly hair. My hair is super super curly. So, when my hair was longer when it was 12 inches long, when it got wet it was probably about an inch. It curls up super tight. You have to straighten it to have it look longer.”
It’s a local problem. Trying to find a hair stylist with different textured hair can be difficult. Which is why visiting black hair stylists like Shear Images Salon in Appleton is so crucial. However, it’s not just a problem of beauty access in Northeast Wisconsin. It’s a national issue.
“I’ve been on sets where I actually came with a full afro like this, it was actually bigger, and I left with my hair straight, and it wouldn’t revert back,” model, entrepreneur, and mental health advocate Tanaye White remembered. “I’ve been on sets where the makeup artists didn’t have my foundation color and I was literally on set looking like Casper the Ghost. I’ve been on sets where I’ve had to run into the bathroom and do my makeup myself because no one knew or had what I needed.”
Working for brands like Adidas, Sports Illustrated, and Juicy Couture featuring her natural afro, Tanaye said was a turning point in her career. As was the summer of 2020 for the modeling industry after the race riots with the creation of the Black Beauty Roster. An entertainment industry directory of hair and makeup artists with expertise on people of color.
An initiative to prevent models showing up to fashion shows and feeling, “just exhausting,” Mamè Adjei, a model, actress, and activist, emphasized. “Exhausting and a little traumatizing to be honest because we’ll go on set and I would just love to get up and be on set like my white counterparts and not worry about doing my hair or makeup. But I have to come prepared as with anything in life.”
When asked about having that expertise about different skin tones and different hair types, how important is that to sort of see makeup artists who are able to work on models like you, who actually have that familiarity that a lot of times wasn’t there.
“I love Black Beauty Roster because they really amplify the voice of D&I,” Tanaye replied.
Showcasing the beauty and strength of black women in Northeast Wisconsin.
“If a person doesn’t feel good about belonging or has issues around belonging and those kind of things,” Renita said. “Of course not looking good is only going to exacerbate it particularly if there is bullying. Or if there are environments where people are making comments to make you feel more vulnerable.”
These black women emphasized three points. First, fostering positivity and understanding even if you don’t regularly have to think about your hair. Secondly, to use resources like YouTube to learn more and be an ally or do outreach. Finally supporting local black hair stylists or joining the Black Beauty Roster to inspire change.
I’ve spent most of my professional career in the high-tech field, surrounded by predominantly male leadership. While I will always be appreciative of the mentorship and guidance I have received over the years, I’ve often found self-comparison leading the way for me.
In the STEAM fields, you’re expected to be very innovative and forward-looking. While those around me exuded confidence and self-assurance, I have often felt like I was faking it. For the longest time, I became risk-averse for fear of looking stupid. As I climbed the corporate ladder, I was sure these feelings would leave me and was disappointed to find that they would intensify.
Then, one day, many years ago, an employee reached out to me asking for advice about overcoming “imposter syndrome.” Never having heard of this affliction, my interest was piqued. After reading more about it, I realized this term describes me. Discovering that others felt these feelings flooded me with relief. In my research, I found that this “syndrome” was felt mainly by women and people of color.
Instead of being stressed, I felt challenged to learn how to conquer it. I sought coaching to help me do so, which inspired me to help others with my newfound knowledge. It has been a monumental privilege to help others learn to conquer this debilitating condition. If you can relate to these feelings, then I know you can conquer them, too. Here are three ways to do so.
1. Build self-confidence. Nobody is born with confidence. That means it can be built! Self-confidence is an emotion guided by our thoughts. If we become aware of our thoughts and identify the driving factor of negative emotions, then we have the power to target and change them. We can alter beliefs about ourselves, our career, our relationships, our lives. It’s natural for fear to crop up. That’s just the primitive part of our brains trying to protect us. With practice, all of us can rise above those natural, fear-driven thoughts and create self-confidence in every area of our lives.
2. Recognize that failing is a crucial part of success. We’ve all been taught in some way that failure must be avoided. However, when I was surrounded by software engineers, I learned that we all need to fail to improve. They call it “failing fast.” When developing software, failures or “bugs” are a normal and natural part of the testing process. It helps developers improve what isn’t working in the coding. Rather than fearing failure, look at it as a sign that you’re learning and moving forward.
3. Stop agonizing over what others may think. It’s natural for us to ponder what others think about us, but it’s the worrying that paralyzes us because there’s nothing we can do about it. Worried thoughts, however, are notoriously inaccurate. In the end, you cannot control others’ thoughts, feelings or expectations. While you may still face times of worry, you also face a choice in those moments to have courage and move forward despite any discomfort. And in doing so, you will continue to build confidence in yourself.
The journey of creating self-confidence and conquering imposter syndrome can be a long and challenging process. But if you choose to be your authentic self and have confidence in your abilities, you’ve taken the first important step.
Lori Pugh is the Chief People Officer for the nonprofit, Waterford.org. She is also a certified life coach specializing in helping women build their self-confidence and recognize their inherent brilliance. You can find more information on her website, loripugh.com, or by joining her Facebook group, “Women Walking Tall.”
When Ashlee Wisdom launched an early version of her health and wellness website, more than 34,000 users — most of them Black — visited the platform in the first two weeks. “It wasn’t the most fully functioning platform,” recalls Wisdom, 31. “It was not sexy.” But the launch was successful. Now, more than a year later, Wisdom’s company, Health in Her Hue, connects Black women and other women of color to culturally sensitive doctors, doulas, nurses and therapists nationally.
As more patients seek culturally competent care — the acknowledgment of a patient’s heritage, beliefs and values during treatment — a new wave of Black tech founders like Wisdom want to help. In the same way Uber Eats and Grubhub revolutionized food delivery, Black tech health startups across the United States want to change how people exercise, how they eat and also how they communicate with doctors.
Inspired by their own experiences, plus those of their parents and grandparents, Black entrepreneurs are launching startups that aim to close the cultural gap in health care with technology — and create profitable businesses at the same time.
Seeing problems and solutions others miss
“One of the most exciting growth opportunities across health innovation is to back underrepresented founders building health companies focusing on underserved markets,” says Unity Stoakes, president and co-founder of StartUp Health, a company headquartered in San Francisco that has invested in a number of health companies led by people of color. He says those leaders have “an essential and powerful understanding of how to solve some of the biggest challenges in health care.”
Platforms created by Black founders for Black people and communities of color continue to blossom because those entrepreneurs often see problems and solutions others might miss. Without diverse voices, entire categories and products simply would not exist in critical areas like health care, experts in business say.
“We’re really speaking to a need,” says Kevin Dedner, 45, founder of the mental health startup Hurdle. “Mission alone is not enough. You have to solve a problem.”
Dedner’s company, headquartered in Washington, D.C., pairs patients with therapists who “honor culture instead of ignoring it,” he says. He started the company three years ago, but more people turned to Hurdle after the killing of George Floyd.
In Memphis, Tenn., Erica Plybeah, 33, is focused on providing transportation. Her company, MedHaul, works with providers and patients to secure low-cost rides to get people to and from their medical appointments. Caregivers, patients or providers fill out a form on MedHaul’s website, then Plybeah’s team helps them schedule a ride.
While MedHaul is for everyone, Plybeah knows people of color, anyone with a low income and residents of rural areas are more likely to face transportation hurdles. She founded the company in 2017 after years of watching her mother take care of her grandmother, who’d had to have both legs amputated because of complications from Type 2 diabetes. They lived in the Mississippi Delta, where transportation options were scarce.
“For years, my family struggled with our transportation because my mom was her primary transporter,” Plybeah says. “Trying to schedule all of her doctor’s appointments around her work schedule was just a nightmare.”
Plybeah’s company recently received funding from Citi, the banking giant.
“I’m more than proud of her,” says Plybeah’s mother, Annie Steele. “Every step amazes me. What she is doing is going to help people for many years to come.”
Linda-Denise Fisher-Harrell knows how it feels to be the only Black dancer in the dressing room.
“Everyone was friendly, but it was a lonely feeling that nobody looked like me,” says the former star of Alvin Ailey American Dance Theater, recalling her first dance job 30 years ago, with Hubbard Street Dance Chicago.
“So when it came to styling my hair, I couldn’t rely on anyone to help advise me. There were so many little things like that.”
Throughout the concert-dance world, dancers of color have often shared that sense of isolation and difference. But in recent months, some significant appointments offer hope of change. In March, Fisher-Harrell began leading the company where she once felt so alone. As the new artistic director of Hubbard Street, a widely respected contemporary troupe founded by Broadway dancer Lou Conte, she is one of very few Black women heading traditionally White-led dance organizations.
Fisher-Harrell, who most recently had been teaching at Towson University and the Baltimore School for the Arts, made changes quickly at Hubbard Street. She hired four dancers of color, bringing the total at the 14-member company to six dancers.
Three more Black women have recently assumed dance leadership roles, in front-office moves that are rare in the dance world. Each has led a distinguished performance career in premiere companies on international stages followed by years as dance educators.
Endalyn Taylor is the new dean of the dance school at the prestigious University of North Carolina School of the Arts in Winston-Salem. A former leading ballerina of Dance Theatre of Harlem, an original cast member of “The Lion King” and “Aida” on Broadway, and a dance professor at the University of Illinois, Urbana-Champaign, Taylor succeeds former American Ballet Theatre principal Susan Jaffe.
Click here to read the full article on the Washington Post.
Prime Universal Network, a division of Prime Local TV Network, Inc., has signed a distribution agreement with international manufacturer, Hisense, and their content platform VIDAA. They will place Prime Universal Network’s positive content TV App onto 140 million currently purchased televisions and an additional 30+ million new televisions annually.
Prime Universal Network’s content platform called – The Positive People Platform, came into existence in 2018 after Rodney and Holly Harris began their search for positive and uplifting human interest stories being showcased on a consistent basis.
The Positive People Platform offers only positive content produced by the couple and other content producers, with a variety of short stories, sports, documentaries, and events. Their platform showcases the positive and unique experiences of ordinary people.
Mission – To change the negative narrative and misunderstanding that positive content means boring. Positive can be and is exciting, interesting, and informative. Our world already has enough negative content.
History – How did they get started in media? Born in the Akron/Canton region of Ohio, they began covering their hometown hero, LeBron James, when he played with both Cleveland/Miami NBA teams. They also covered most of his NBA Finals games.
For as long as Twitter’s been around, every Thursday night, the timeline is flooded with tweets cursing Shonda Rhimes’ name, usually, for something devastating that’s happened on “Grey’s Anatomy.”
Even though she hasn’t been the showrunner of “Grey’s” for a few years, she will forever be linked to the hugely successful, 17-season-long (and counting!) medical drama. But Rhimes has done plenty of other things in her career, including writing two films and a memoir.
Rhimes, who now lives in Los Angeles, is so dedicated to her home city that she gets Chicago deep-dish pizza flown in every Christmas Eve, she told Food & Wine in 2017. Her favorite comes from Illinois restaurant chain Aurelio’s, she told the publication.
She’s the youngest of six kids — two older brothers and three older sisters. While growing up in University Park, she shared a room with one of her sisters, Sandie, she wrote in her book, “Year of Yes.” Both of her parents were educators.
Rhimes earned her BA from Dartmouth College.
Much like her own creation Meredith Grey, Rhimes graduated from Dartmouth College. She even cameoed as herself in fellow Dartmouth grad Mindy Kaling’s show “The Mindy Project,” when she attended a Dartmouth alumni beer pong game. After Dartmouth, she earned her MFA from the USC School of Cinema-Television in 1994.
Read ten more interesting facts about Shonda Rhimes at Insider.
Zendaya made history in 2020 when she became the youngest woman — and only the second Black woman (after Viola Davis) — to win in the lead drama actress category at the age of 24. Now, with the 2022 Emmy nods out, Zendaya, has made history yet again as the youngest producer to be nominated for an award after Euphoria’s Outstanding Drama Series nod. Zendaya serves as both a star and executive producer on the series.
The general drama series nod comes as she received three other nominations for her role as Rue Bennett in the HBO drama. She was, once again, nominated for Lead Actress in a Drama Series and also received two nods for Outstanding Original Music for both “Elliot’s Song” with Dominic Fike, and”I’m Tired” with Labrinth.
In the Lead Actress category, she faces off against Killing Eve‘s Jodie Comer and Sandra Oh, Ozark‘s Laura Linney, Yellowjackets’ Melanie Lynskey, and Morning Show‘s Reese Witherspoon.
Meanwhile, Euphoria is nominated for the Outstanding Drama Series category against Better Call Saul, Ozark, Severance, Squid Game, Stranger Things, Succession, and Yellowjackets. (Squid Game is the first non-English-language series to be nominated for the prize.)
The list of “firsts” doesn’t end there for the Oakland-born star. With her nominations, she’s also the first Black woman (and only second Black person) to receive both songwriting and acting nods in the same year.
More history could be made next year by Zendaya as she revealed in a recent interview with Vogue Italia that not only does she want to direct, but she “probably” will direct a future episode of Euphoria. “I was supposed to direct Episode 6 [of Season 2], but then I had to act in it,” she said in the interview. “I didn’t have enough time, so, unfortunately, I wasn’t able to this time around. I wanted to have enough time to do it the right way, so next season probably.”
Click here to read the full article on the Rolling Stone.
You’d have to go pretty far and wide to meet someone who doesn’t know the name Cedric the Entertainer.
Born Cedric Antonio Kyles, the multihyphenate comedian, producer, entrepreneur, host and actor has been a recognizable face in entertainment for almost 30 years. Many recall Cedric from his time as a former host of BET’s ComicView and Def Comedy Jam in the 90s. Others will remember him for his co-starring role in the hit sitcom on WB The Steve Harvey Show, next to fellow comedian and friend Steve Harvey.
However, most fans hear his name and immediately think of the sensation that was The Original Kings of Comedy tour and video in 2000 where he performed beside fellow legends Steve Harvey, D.L. Hughley and the late Bernie Mac.
No matter how you know his name, face or signature laugh, Cedric the Entertainer is always guaranteed to bring a smile to the faces of his audience. He has hosted talk shows, led game shows and even recorded comedic interludes on rap albums: one triple platinum (Jay Z’s The Blueprint), one quadruple platinum (Ye’s Late Registration) and one certified diamond album (Nelly’s Country Grammar). For over 20 years, he has appeared in numerous movies (such as the Barbershop, Madagascar and Ice Age franchises) and television shows, including his current hit The Neighborhood, recently renewed for its fifth season and produced by Cedric’s production company, A Bird and a Bear Ent., which he manages with his longtime partner Eric Roan.
What’s kept him going all these years?
The constant inspiration from fellow artists. “Now, I’m just motivated continually to do great work,” Cedric shared with Black EOE Journal. “We had so many new creators that came on the scene and are doing great things to where I feel like, now, there’s heavy competition all around and great, and you just want to be a part of the conversation.” He’s talking about writers adding culture and depth to the conversation like Ava Duvernay, Lena Waithe and Kenya Barris. He also referenced fellow comedian creators like Kevin Hart. “You just want to keep leveling up,” he said. “That’s why I stay busy and stay at it and stay motivated. I’m actually just excited that the energy is…moving forward and not slowing down…”
And Cedric hasn’t slowed down either.
Building an Empire
From lead comedian at a White House Correspondents’ Dinner to Broadway to host of this past year’s 73rd Primetime Emmy Awards, he is always finding ways to bring joy through his work.
Along with The Neighborhood, his company also produces two shows on the Bounce TV network that are about relevant issues and stories, particularly in the Black community: Johnson, a show that follows the lives of four Black men in their 30s navigating the trials of everyday life. They are childhood friends and happen to have the same last name… Johnson. The other program is a dramedy called Finding Happy about a Black woman working in the Atlanta radio industry, played by comedian and actor B. Simone, who, with the help of some friends, decides on her 36th birthday to make a decision to change her stagnant life and find her own happiness.
According to Cedric, “I guess as far as what has changed [over the years], I feel like so many creators are gaining more and more control of their brands and their ideas that they want to see and do and that becomes even more motivating… the fact that your creativity doesn’t have to be limited to a group of producers, creators or networks that have no idea what you’re about and what your people want to see. Now there’s just a wide array of opportunities.” He also commented on the emergence of new streaming networks and platforms, both large-scale like Netflix, and smaller ones such as those started by social media influencers and content creators from underrepresented backgrounds.
“The networks have to up their game because the streamers are so hot,” he shared. “It opens up the playing field for diversity all across the board. When you think about it, across the cultural diaspora that we have in this country, it just gives great opportunity to see shows and people from different cultures which really allows all of us to grow…and, of course, it’s forced the major institutional networks to have to change up because they’re now getting left behind. So now that gives an opportunity for so many other people to create.”
Along with his creativity on the screen and stage, Cedric the Entertainer is also an ardent businessman. He released his own line of hats a few years ago in his signature style called Who Ced?. “I loved hats from very early on in my career. I had a couple of images when I started to do comedy, and one of them was of my grandfather wearing his fedora. I thought it was cool to do when I was on stage, so I started rocking them and eventually I wanted to expand my brand.” The line was intended to be an inexpensive, everyday wear accessory. However, they’ve recently undergone a rebrand and will soon be launching a new line called Egg & Butter, which will feature hats that are more upscale and Italian-made. Visit eggandbutter.com to sign up for the mailing list for news of the official launch date. He also debuted another business in January of this year, a 100 point, three-time gold medal-winning, two-time Best in Class red blend wine he named after his mother. According to Cedric, “I partnered with Smith and Devereux winery in Napa [Valley]. It’s called Zetta.
My mother’s name was Rosetta. It’s a Napa Valley blend red, beautiful wine. You can go to smithdevereux.com and get a case, get a bottle. It launched on her birthday, January 4.” 10 percent of all profits are donated to the RedRoseReads Foundation to support literacy programs throughout the U.S.
But that’s not all he’s working on. “I’m sure I’ve got a hundred other businesses. I stay busy. I’ve got a very cool thing called Fan Room (fanroomlive.com) that I do which is kind of like an online green room situation where celebrities meet their fans in a virtual environment, and they sit and talk, and they chill with them in the Fan Room. It’s pretty cool. That’s been growing. We started that over the pandemic.”
Always Giving Back
What may surprise many isn’t that Cedric the Entertainer gives back. It’s how many ways and through how many organizations. For example, there’s the Cedric “The Entertainer” Charitable Foundation scholarship that he started in 1996 for high school students in partnership with the United Negro College Fund (UNCF).
“My mother was an educator, a reading specialist,” he said. “She passed a few years ago, but she instilled in my sister and myself this idea of philanthropy, to be able to help give back to help those less fortunate. I started that with an educational program mainly for kids who grew up in single parent households who needed a little help to go to college… partnered with UNCF…partnered with my alma mater Southeast Missouri State University as well as any HBCUs. We’ve been doing that since ‘96, helping kids go to college. We deemed that very important.”
But that’s not all.
“From there, when my mom got ill, [my sister and I] really got involved in women’s health issues. We started a women’s health pavilion in St. Louis, Mo. at St. Mary’s Hospital in her name, the Rosetta Boyce Kyles Women’s Pavilion that deals with all kinds of women’s health issues from athletics for young students to cancer to the heart to just getting people rides to the hospital. That initiative has been something we’ve done for about six years. Of course, I’ve worked with the American Diabetes [Association] because my dad deals with diabetes. So, we did the neuropathy campaign, really trying to get especially Black males to go get checked out; something we don’t do in our culture. We always try to man it out and tough it out and don’t realize these are things we can actually fix and prevent if we got a heads up soon enough.”
Long May He Reign
Cedric the Entertainer’s good work is never done, and we’re thankful for that.
His commitment to making a difference in the world through charity and philanthropy is admirable, but one can’t forget his work with the Academy of Motion Picture Arts and Sciences to help mentor a new generation of voices in media and entertainment.
“My work with the Academy is all about improving the minority participation in this industry, especially coming in at the internship level and giving people the opportunity to be here, to be working and be involved with these shows.”
Cedric has been an outspoken supporter of diversity and inclusion in American society as well as a champion of racial and social equity. “It’s very important. You need a group of people that’s truly and completely about advocacy…We do need people who are all about the advocacy; they’ve got to stay and make people accountable, to show that we’re necessary and worthy of all the stuff we’re asking for.”
But what’s next for The Entertainer?
Anything. Maybe even music?
“I’m a person who likes to write songs. I write little songs and jingles quite a bit.
I haven’t really introduced my music, so I guess people will come to find that out soon,” he told Black EOE Journal. “I haven’t really ever [shown that]. I do them for jokes, but I haven’t really shown some of the sincere stuff that I do.” Well, we’re excited to see what the future holds. Hearing about any new projects Cedric has up his sleeves will surely be sweet music to our ears.
As noted, WWE NXT held another live event last night in Orlando, Florida, headlined by Bron Breakker successfully defending his NXT Championship against Tony D’Angelo. Elsewhere on the card, the leader of Toxic Attraction, Mandy Rose, defeated Ivy Nile to retain her NXT Women’s Title, and The Creed Brothers defeated Joe Gacy and a member of the DYAD to retain their Tag Team Titles.
But one of the biggest stories coming out of the show isn’t about the in-ring action at all. Fresh WWE NXT talent Ava Raine, the real-life daughter of The Rock that signed with WWE in February 2020, cut her first promo at last night’s event. She was presented as a heel to the audience as she talked down to Cora Jade and the rest of the NXT women’s locker room.
Raine also revealed what her nickname will be going forward and it’s possibly a nod to a recent horror film. Raine, a fan of cinema influenced by the supernatural, apparent by the many references to “The Craft” (1996) on her social media, was referring to herself as “The Final Girl” during her in-ring promo. The film, “The Final Girls” was a horror/comedy film released in 2015 that first debuted at the SXSW Film Festival before receiving a wider release in the United States later that Fall. The premise of the movie sees the protagonist, Max, along with her group of friends, getting trapped inside a B-horror film where they must use the tropes they’ve learned from watching horror movies to survive. There’s no certainty this film influenced the new description Raine is giving herself in NXT, but the connection is possible.
“The Final Girl” is also a common trope in horror cinema as a whole. She is recognized as the last girl or woman surviving in the film as the story becomes centrally focused on her.
As seen in the photos below, Raine was trending after she dropped the promo last night, signifying that we might be approaching a televised debut for the 20-year-old. She has been teasing her debut for several weeks until last night when she finally revealed her persona to a live crowd.
Click here to read the full article on Wrestling Inc.
Simone Biles continues to break records and make history. On July 7, the 25-year-old Olympian, along with 16 other honorees, received the esteemed Presidential Medal of Freedom, the nation’s highest civilian honor — making her the youngest person to ever do so, according to President Joe Biden.
Beyond being a world-renowned gymnast, Biles was honored as a “prominent advocate for athletes’ mental health and safety, children in the foster care system, and victims of sexual assault,” the White House previously announced.
“Today, [Biles] adds to her medal count of 32 — I don’t know if you’re going to find room,” President Biden joked during his remarks at the White House. Biden then praised Biles for her ability “to turn personal pain into a greater purpose, to stand up and speak for those who cannot speak for themselves.” During the award ceremony, Biles wore a bright smile and black tweed blazer dress as Biden placed her medal around her neck, and her fiancé, Jonathan Owens, was there to cheer her on from the front row.
Biles was honored alongside other recipients like Megan Rapinoe and Denzel Washington, though the latter wasn’t present for the ceremony due to a positive COVID test, CNN reported. The actor will be awarded his medal at a later date.
Over the years, Biles has shattered glass ceilings in the sports world and become the most decorated gymnast in world championship history. Now, her latest accomplishment only solidifies that she’s a true trailblazer. Ahead, check out more photos of her receiving the Presidential Medal of Freedom at the White House.
The youngest self-made billionaire woman in the U.S. didn’t grow up in a Manhattan high rise or the Hollywood Hills. Instead, Rihanna amassed her fortune from her own music and entrepreneurial ventures.
Recently, the 34-year-old singer and Fenty Beauty CEO graced Forbes’ annual list of America’s richest self-made women for the third year in a row. She ranked 21st overall, and is the list’s only billionaire under age 40. Some of Rihanna’s $1.4 billion net worth is from her successful music career. Most of it is from her three retail companies: Fenty Beauty, Fenty Skin and Savage X Fenty.
In March, Bloomberg reported Savage X Fenty lingerie was working with advisors on an IPO that could potentially be valued at $3 billion. Rihanna owns 30% of that company. She also owns half of Fenty Beauty, which generated $550 million in revenue in 2020. The other half of the company is owned by French luxury fashion conglomerate LVMH.
The numbers are impressive, but Rihanna has said that her focus isn’t on valuations and accolades. In 2019, she told The New York Times’ T Magazine that because she never planned on making a fortune, reaching financial milestones was “not going to stop me from working.”
The nine-time Grammy Award winner also said she wants to give that money away to causes that matter, anyway. “My money is not for me; it’s always the thought that I can help someone else,” she said. “The world can really make you believe that the wrong things are priority, and it makes you really miss the core of life, what it means to be alive.”
In 2012, Rihanna started a philanthropy fund, the Clara Lionel Foundation (CLF). It aims to “support and fund groundbreaking education and climate resilience initiatives,” according to its website.
One of its first initiatives, which launched a year after the foundation began, raised $60 million for women and children affected by HIV/AIDS through sales from the singer’s lipstick line with MAC Cosmetics. And in January, CLF paired up with Twitter co-founder Jack Dorsey’s #SmartSmall initiative to donate a combined $15 million to 18 different climate justice groups.
That money is meant for organizations “focused on and led by women, youth, Black, Indigenous, people of color and LGBTQIA+ communities” in the U.S. and Caribbean, according to CLF’s website.
“At the [CLF], much of the work is rooted in the understanding that climate disasters, which are growing in frequency and intensity, do not impact all communities equally, with communities of color and island nations facing the brunt of climate change,” Rihanna said in a January statement.
Sunday night’s BET Awards was not only a big night for Sean “Diddy” Combs but also for Howard University in D.C.
While accepting the Lifetime Achievement Award, Diddy pledged to donate $1 million to both Howard University and Jackson State University.
“I want to donate a million dollars to Howard University,” Combs said to the audience before he left the stage. “Also, I’m gonna drop another million dollars on Deion Sanders and Jackson State, because we should play for us. Thank you everyone from the bottom of my heart, I love y’all.”
The announcement came as Combs accepted the award from surprise presenter Kanye West alongside Babyface.
“I got this dream of Black people being free,” Combs said. “I got this dream of us controlling our own destiny. I got this dream of us taking accountability and stop killing each other. I got this dream of us being rich and wealthy and living on the same block. I have this dream of us unifying.”
“Y’all know I wouldn’t be here without Howard University, Combs said before starting an “HU” chant during his speech.
Combs attended Howard University in the late 1980s but left to pursue a career in music. In 2014, he returned to receive an honorary doctorate from the university.
Also during Combs’ speech, he paid homage to the late Andre Harrell, who launched his career, as well as his mother for working several jobs during his childhood and the late Kim Porter, his longtime girlfriend and mother of his three children.
Click here to read the full article on ABC 13 News.
Black excellence is reigning on TikTok. Twenty-year-old Khabane “Khaby” Lame recently surpassed Charli D’Amelio as the most followed user on the popular social media platform.
The Senegalese influencer reportedly has almost 100,000 more followers (he has 143.4 million) than the dancing influencer (142.3 million). The popular TikToker built his massive following in the beginning by making dance vids, comedic skits and video game reactions.
It wasn’t until 2021 that the Lame’s account blew up after his hilarious and expressive reactions to life hacks. His viewership took off after his reaction only vids caught the eyes of TikTok platforms. Fans made it their business to elevate the 22-year-old social media star.
Lame explained the magic behind his success.
“I came up with the idea because I was seeing these videos circulating, and I liked the idea of bringing some simplicity to it,” Lame told CNN. ” I thought of a way to reach as many people as possible. And the best way was not to speak.”
The creator now lives in Italy and has amassed over 2 billion likes for his hilarious videos.
Black TikTokers called the social media platform out over allowing white creators to steal from Black trendsetters.
BET.com reported choreographer JaQuel Knight partnered with Logitech to ensure that Black creators copyright and monetize their projects.
“I am so thrilled to announce this collaboration with The JaQuel Knight Foundation and Logitech, a remarkable step in our goal toward creating a system of protection for young creators,” Knight said.
He continued, “The JK Foundation was ultimately started to provide a place of support for dancers (during an extremely fragile time in the pandemic, nonetheless), and to put the power back in the artists’ hands – not just for myself, but for the next JaQuel Knight. For all of the little boys and girls who look like me.”