Shaq is retiring from celebrity status: ‘Out of their mind’

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Shaquille O'Neal smiling wearing a suit

By , NY Post

Don’t call Shaquille O’Neal a “celebrity.”

Although the Lakers legend has a stacked NBA resume and booming broadcast career (including countless commercials and brand deals), O’Neal wants to be remembered for his kindness before anything else.

“These celebrities are going freaking crazy and I don’t want to be one. I denounce my celebrity-ness today. I’m done with it,” O’Neal told The Post, while discussing his new campaign with Kellogg’s.

“I don’t want to be in that category. Celebrities are crazy, they really are. Don’t call me that anymore. These people are out of their freaking mind with how they treat people, what they do, what they say. That’s never been me. I never want to be looked at like that.”

The four-time champion has found a different way into the spotlight with his random acts of kindness, which he said he tries to do at least twice per week.

Since retiring from the NBA in 2011, he’s become known for helping others with grand gestures that have included paying for a stranger’s engagement ring — and more recently, funding one of his favorite Atlanta restaurants affected by the COVID-19 pandemic.

“All my life, everyone probably gets stereotyped, but us celebrities, we get stereotyped because most of these celebrities are out of their mind. I don’t do that. I’m a regular person that listened, followed his dreams and made it,” he said.

It’s easy to hone in on O’Neal’s life from the start of his NBA career to the present day, but things were much different before the 1992 NBA Draft — when the 7-foot-1 LSU product was selected first overall by the Orlando Magic.

O’Neal grew up poor in Newark, New Jersey, and has credited the Boys & Girls Club of America for helping to keep him off the streets and out of trouble.

“I came from nothing,” he said. “But, just because I made it doesn’t mean I’m bigger than you, smarter than you — just because I have more money doesn’t mean I’m better than you. I’ve never been that way and I never will be that way. So I don’t want to be in that category of people.

“When they talk about Shaq, what do you say? ‘He’s a nice guy.’ Because what else can you be? You’re either nice or you’re the A-word, and I definitely won’t be looked at as the A-word,” he said.

“I want people to say, ‘Bro, he’s nice. He didn’t have an entourage. His people didn’t take my phone because I took a picture and threw it.’”

Another good deed O’Neal is focused on, is helping kids play sports.

Click here to read the full article on the NY Post.

Denzel Washington’s New Movie Has A 100% Rotten Tomatoes Score

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Black and white close up of Denzel Washington's Face

By We Got This Covered

The verdict is in and the consensus is that Joel Coen’s The Tragedy of Macbeth is stellar, according to Rotten Tomatoes. Denzel Washington’s latest turn in a Shakespearian adaptation boasts an impressive 100% score on the review aggregate site, with critics lauding the performances of Washington’s titular character and the conniving Lady Macbeth, played by Francis McDormand.

The film takes on a stripped down approach to the classic story, mostly preserving its iambic pentameter-laden dialogue and reducing its visuals to simplistic, modern black and white photography in a tall 1.37:1 aspect ratio.

The film co-stars Corey Hawkins as Macduff, Brendan Gleeson as King Duncan and Kathryn Hunter as the witches.

Critics are hailing Coen’s take as breathing new life into the half-a-millennium-old story, its dream-like cinematography and McDormand’s turn as Lady Macbeth as being up there as one of her very best performances to date, a tall order for a three-time Academy Award winner, indeed.

Washington isn’t far behind McDormand’s track record either, having garnered two Academy Awards in his career. And critics are also hailing Washington’s nuanced take on the darkly fated character, pointing out that the chemistry between the two actors runs the gamut of epic emotions you would expect from a Shakespeare play.

This isn’t the first time Washington has been in one of the famous bard’s film adaptations, either, having played Don Pedro in Kenneth Branagh’s 1993 take of Much Ado About Nothing. Though Branagh also co-directed and starred in a theatrical adaption of Macbeth, back in 2013, which was broadcast to cinemas, critics are mostly saying that version pales in comparison to this new interpretation.

Click here to read the full article on We Got This Covered.

The Story Behind ASAP Rocky’s Thrifted Met Gala Quilt

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ASAP Rocky wearing a thrifted quilt inspired look for the met gala

By Ashley Boucher, People

A$AP Rocky’s Met Gala look has a special history. The rapper, 32, wore a quilt as a cape as he arrived on the red carpet alongside Rihanna for fashion’s biggest night on Sept. 13. After discovering the quilt in a California thrift store, ERL designer Eli Russell Linnetz used it as inspiration for Rocky’s ensemble — and the family who once donated the handmade blanket is now sharing its story.

A woman named Sarah shared a photo on Instagram last week of Rocky and Rihanna on the Met Gala red carpet side-by-side with a photo of the quilt laying on a bed at home.

“So my great grandmothers quilt was donated to an antique/thrift store a while back. When I saw the #metgala Photo I realized instantly that it had to be the same quilt,” Sarah wrote in the caption.

“I read the Vogue article about the designer finding the quilt in Southern California and with his office not that far from us in Venice, California, I demanded that my mom go look for the photos of it on our old bed,” she explained.

“Looks like great grandma Mary went to the #metgala with @asaprocky and @erl__________ they wrote a @voguemagazine article too 🤩” she added.

Sure enough, Linnetz told Vogue that he had found the quilt at a thrift store and added on to it to encapsulate the Met Gala’s “In America: A Lexicon of Fashion” theme.

“I quilted on things that were important to me, from my dad’s bathrobe to my boxers,” Linnetz told Vogue. “Then we used these amazing plaids and flannels and embroidered my family’s name all over the quilt.”

Linnetz worked with Zak Foster, a Brooklyn-based quilter who “specializes in burial and memory quilts” to add the personal touches to the thrifted quilt.

“There’s an irony to it that I liked, using the clothing of the deceased to create this beautiful new quilt then [in their honor] that lasts forever,” Linnetz said.

Click here to read the full article on People Magazine.

Rihanna takes time with album while unveiling lingerie line

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Rihanna takes time with album while unveiling lingerie line

By JONATHAN LANDRUM Jr., AP News

Rihanna might be extremely consumed with rolling out her popular lingerie line, but finishing her forthcoming album is still a priority.

The multi-Grammy winner is just taking her time to “experiment.” She suggests her new music will sound much different than her previous projects.

“You’re not going to expect what you hear. Just put that in your mind,” Rihanna said recently before the taping of her “Savage X Fenty Show Vol. 3” event, which will air Friday on Amazon Prime Video.

It’s been five years since the pop star released her critically acclaimed eighth album “ANTI,” which included hits such as “Work,” “Love on the Brain” and “Needed.” Last year, Rihanna said she had started recording new music, holding “ tons of writing camps.”

“Whatever you know of Rihanna is not going to be what you hear,” said the singer, who has won nine Grammys in multiple categories including R&B, dance and rap. “I’m really experimenting. Music is like fashion. You should be able to play. I should be able to wear whatever I want. I treat music the same way. So I’m having fun and it’s going to be completely different.”

Rihanna hasn’t announced a release date yet for her new album, but music plays a major role in her Savage X Fenty event. It returns for a third straight year and will highlight her fashion line’s newest assortment of styles featuring an all-star lineup of models, actors and performers.

The show — recorded in downtown Los Angeles — will include performances by Nas, Ricky Martin, Jasmine Sullivan, Daddy Yankee and Normani. Adriana Lima, Gigi Hadid, Vanessa Hudgens, Erykah Badu and Alek Wek and Jeremy Pope make special appearances.

Rihanna said she’s looking forward to unveiling some of her favorite styles from the new collection.

“The cat suits, the crotchless,” she said, blushing and then moving on. “All the bras that make my boobies sit up, because, you know, I’m 33 now. They’re not where they used to be. I’m just looking forward to actually seeing my pieces on the talent, seeing it on so many different body shapes and silhouettes, because that’s what brings the pieces to life.”

In past shows, Rihanna has taken the initiative to become a champion of inclusion with her fashion line. She wants to continue to highlight men of all shapes, color and sizes in a manner similar to how she’s uplifted women with her line.

Click here to read the full article on AP News.

Lil Nas X Conquered Pop On His Own Terms

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Lil Nas X Conquered Pop On His Own Terms

BY CHRIS DEVILLE, Stereogum

Lil Nas X was going to be a one-hit wonder. This much seemed obvious to me. “Old Town Road” had all the makings of a fleeting career. A half-rap, half-country novelty hit about a lean-drinking cowboy who’ll ride ’til he drops, made viral through savvy promotion on TikTok and Twitter, buoyed by controversy over whether it should qualify for Billboard‘s country charts, then sent into overdrive by a remix featuring the “Achy Breaky Heart” guy — it was more a meme than a song, a joyous joke adults and children alike could be in on.

After the track spent a record-breaking 19 weeks at #1 on Billboard‘s Hot 100, its momentum extended by an assortment of star-studded alternate remixes and videos, it also started to seem like an albatross. Despite everything the “Old Town Road” saga said about this guy’s musical and promotional skills, it was hard to imagine where he could possibly go next. But Montero Hill is nothing if not imaginative.

At this point, about two years after “Old Town Road” ended its run at #1, not only is Lil Nas X not a one-hit wonder, he’s one of the surest things in mainstream music. He nabbed a Album Of The Year nomination for an EP. He landed three more songs in the top five, including one that debuted at #1 and another that was only blocked from the top of the chart by an aggressive BTS stan campaign. He has expertly stirred controversy with some of the most vividly rendered music videos in recent memory and strategically outrageous merch, weaponizing his sexuality, inciting a lawsuit from one of the world’s largest corporations, and throwing in some satanic panic for good measure. His debut album Montero will surely spin off more hits, partially because it shows him wielding the ruling rap, pop, and rock sounds of the moment with expertise. “Funny how you said it was the end,” he raps on “Industry Baby” in a rebuke of skeptics like me. “Then I went did it again.”

Even LNX’s most fervent supporters would agree his promo acumen has been inextricable from his success. During the Montero cycle, that has included descending into hell for sex with Satan, leading a jailhouse full of naked men through a dick-swinging dance routine, donning a prosthetic pregnancy bump ahead of “birthing” the new album, and selling modified Nikes that feature pentagrams and drops of human blood. As he puts it on one song featuring his fellow attention magnet Doja Cat, “I’m just tryna be the daily scoop.” But Montero, released last Friday, affirms that he’s musically adept as well. The album is hooky and energetic, with versatile songwriting and production that maintains a recognizable imprint despite all the genre morphing. Although parts of it edge up to the cheesier corners of the modern pop landscape, it’s an undeniably fun, engaging debut with some depth to it — the kind of album that bodes well for a young star’s future.

Lyrically, Montero largely presents a mix of “hell yeah I’m famous now” and “oh shit I’m famous now” common among budding superstars, delivered with a personal touch and some raw vulnerability that adds some freshness to the usual proceedings. That he’s achieved this success as a gay Black man makes elements of the album’s story feel culturally significant and new, starting right up front with a lustfully flirtatious #1 single named for the queer coming of age movie Call Me By Your Name. As others have pointed out, queerness colors the darker, heavier side of the album as well. Throughout, Lil Nas X revels in the pursuit of both fleeting pleasure and more enduring partnership. But there’s real pain on display too, as on the moody standout “Dead Right Now,” which finds him spitefully telling his old acquaintances, “You know you never used to call/ Keep it that way now.”

Click here to read the full article on Stererogum.

Michael Jordan, Jordan Brand donating $1M to help diversify newsrooms

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Basketball legend Michael Jordan announced that he will donate $1 million to the Ida B. Wells Society for Investigative Reporting to help diversify newsrooms.

BY OLAFIMIHAN OSHIN, The Hill

Basketball legend Michael Jordan announced that he will donate $1 million to the Ida B. Wells Society for Investigative Reporting to help diversify newsrooms.

The Jordan Brand grant will enable the society to expand its college internship program, create a summer journalism program at a historically black college or university in North Carolina, and launch a high school journalism project with a majority Black and Latino school in the state.

The Ida B. Wells Society, created in 2016 to help train and support minority investigative journalists, is housed at the University of North Carolina at Chapel Hill’s School of Journalism and Media.

“Investigative reporting is the most important reporting in our democracy,” society co-founder and 1619 Project author Nikole Hannah-Jones said in a statement.

“It’s the reporting that holds power accountable, that unearths the way it’s wielded, that tells the stories that people don’t want told. Our democracy is in crisis as politicians are advancing a wave of voter suppression laws across the country and journalists must step up to be the firewall for our democracy,” she added. “That makes the work we do as a Society and the substantial support of Michael Jordan and the Jordan Brand so critical in this moment.”

Jordan, who was the main subject of the Netflix documentary series “The Last Dance,” pledged in 2020 to donate $100 million to organizations that are dedicated to racial equality, social justice and education access over the next decade, Black Enterprise reported.

Click here to read the full article on The Hill.

In New York, Eight Young Bipoc And LGBTQ+ Artists Take Over The Subway

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VMAS IN NEW YORK, EIGHT YOUNG BIPOC AND LGBTQ+ ARTISTS TAKE OVER THE SUBWAY

By Virginia Lowman, MTV

During a chaotic year that has laid bare the divisive inequities within our society, music and art have often served as universal entities to ground us, tell our stories, and provide a sense of escape. Now, a new exhibition hosted by MTV pays homage to that sense of unity. Nestled appropriately within the belowground subway station at Brooklyn’s Atlantic Avenue terminal at Barclays Center — that great mixing pot where riders from all walks of life brush elbows on a communal commute, as well as the initially planned home of the 2020 VMAs — the show takes over public advertising spaces to amplify the diverse work of eight emerging visual artists working in a variety of media.

Conceptualized by MTV’s Rich Tu, Vice President of Digital Design, and Antonia Baker, Senior Director of Marketing, who were inspired by the Black Lives Matter protests that took place at Barclays Center earlier in the summer, each artist submitted original pieces inspired by the themes of unity, music, space, and the future, which will remain on view through September 6. Where some works feature futuristic dance parties in outer space, others aim to combat tropes that lead people to view BIPOC communities through an exoticizing lens. The result is a vibrant picture of youth and the beauty of the differences that exist between us, as well as a love letter to New York City. Here, the artists share their stories, the inspiration for their work, and more.

  • Amika Cooper, Illustrator

    Amika Cooper’s exuberant depictions of Black women as divine beings are both a call to activism and a celebration of the beauty of Blackness and the LGBTQ+ community. “It’s important to me to refute the idea of the ‘strong Black woman’ and other tropes that limit the public perspective of Black femmes,” she tells MTV News. Working across digital illustration, 2-D animation, and collage, her art plays with space and draws upon rich hues: showing Black women as healers and rulers with lush curls or donning Egyptian headdresses as rulers of the galaxy. Raised in Toronto, she now calls Brooklyn home, but her West Indian and South American heritage is tightly woven into her work. “The culture I grew up on is the product of the unwavering ingenuity in enslaved and indentured people,” Cooper says. Her latest pieces lean heavily into geometry, “a reflection of the forces that connect us and remind us of the importance of creating, sharing, and repeating.”

  • Bronson Farr, Photographer

    For Bronson Farr, art is about making people feel seen. A photographer and director, his craft resides in the sweet spot between beauty and discomfort, with overlapping themes of vulnerability, power, and voyeurism. “People’s faces tell incredible stories when they’re being honest, even if it’s a bit scary,” Farr says. His work casts Black men in a gentle, intimate glow juxtaposed with a sense of reverence and longing. One photo depicts a man against a terracotta backdrop, his chest exposed, his view obstructed by buds of baby’s breath and a sheet of tulle that hides his face. It’s a playful subversion of stereotypes about Black masculinity, calling the viewer to see the softness and serenity in these boys. “My aim is to allow the viewer permission to see Black people, especially men, the way I do — wrapped in warmth, love, and light, and deserving of your protection.” Farr hopes his art takes people on a journey that acknowledges the experiences and feelings of someone who has “[gone] through some shit” but has found their happy ending.

  • Eugenia Mello, Illustrator

    When tapped to participate in the Atlantic Avenue terminal takeover, Brooklyn-based, Argentina-born illustrator Eugenia Mello sought to “translate music into shapes” and create a mural that vibrates so loud a viewer can feel it. She explores the relationship between emotion and the body: Abstract shapes in deep primaries paint the scenes of a dance club alive with rhythm and heat. Her incorporation of contrasting colors and angular shapes adds depth to the image harkening back to a time before social distancing was the norm and when dancing in groups generated a feeling of electricity. Her work is heavily musical, pulling from an upbringing in South America and the Caribbean that was “bursting with energy.” She credits the grassroots spirit of the Venezuelan political climate of the early 2000s as helping her find her own artistic voice: “People would march, exercising their right of free speech by chanting and dancing with loud music,” she says. “Expression was with the whole body.”

  • Eva Zar, Photographer

    Eva Zar wields self-expression as a means of liberation. Raised within a traditional Russian-Austrian household, she uses photography to relay messages of empowerment and self-love. Focusing her lens on the beauty and sensuality of her subjects, her soft, almost retro depictions are subtly nonconformist. “A lot of my art speaks directly against the lessons and rules I grew up with,” she says. “I wanted to create art that shows different types of bodies and liberates women from the idea of only being a wife.” Her latest series exists at the intersection of music and performance, in one instance crafting an image of a dancer clad in black trainers and a neon tracksuit dancing on the stage at a Lynchian bar. Metallic decor and striking cateye liner are reminiscent of the heightened glamour of the disco days. Often incorporating her friends as her muses, her vivid portraiture captures the strength of the LGBTQ+ community; it is a reminder that regardless of what is happening in the world, “our community gives us space for an inclusive and safe future.”

  • Kervin Brisseaux, Illustrator

    Three words come to mind in viewing illustrator Kervin Brisseaux’s vibrant digital drawings: rich, conversational, animated. With a background in architectural studies, bold graphics and crisp lines are at the forefront of Brisseaux’s work. Whether he’s fusing cultures and experimenting with typography or scribing his own language into being, his work always has something to say. His art isn’t just about aesthetic pleasure, it’s also about tapping into discussions that are happening each day. “I feel like it’s my responsibility to not only provide eye-candy but contribute to the relevant conversations of today,” he tells MTV News. The three works he displays at the Atlantic Avenue terminal — a standout piece emphasizing the intersection of culture, art, and identity through the use of contrasting browns and yellows, as well as tribal markings on the face of a sweating subject entranced and empowered by the music playing through their headphones — highlight his bold style, presenting subjects as warriors who champion individuality.

Click here to read the full article on MTV.

Zendaya Opened Up About Refusing To Have Her First Kiss On Camera And Keeping Her Dating Life Private A Day Before The Photos Of Her And Tom Holland Kissing And Meeting Her Mom Went Viral

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Zendaya in a nude dress on the red carpet

By , Buzzfeed News

Ever since Tom Holland blew up the internet last week by seemingly confirming his rumored relationship with Zendaya, fans have been dying to know more about the Spider-Man duo.

But it seems that, for now at least, Zendaya is keeping her cards close to her chest, recently hinting that she prefers to keep her private life private — certainly easier said than done for one of the biggest names on the planet.

Gracing the cover of this month’s issue of British Vogue, the Euphoria star gave a rare glimpse into her infamously private romantic life, recalling her refusal to have her first kiss on-screen.

“I remember being on Shake It Up and being like, ‘I’m not gonna do this. I’m going to kiss him on the cheek because I haven’t been kissed yet so I don’t want the kiss to be on camera,” the former child-star explained.

And having gone on to make history with her Emmy win last year, Zendaya is certainly no stranger to life in the spotlight. But, despite her fame, it appears she’s remained committed to keeping her most personal moments away from the public eye.

Click here to read the full article on Buzzfeed News.

RED NOTICE Starring Dwayne ‘The Rock’ Johnson, Gal Gadot and Ryan Reynolds is coming to Netflix!

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The Rock, Ryan Reynolds and Gal Dot together in promo picture for Netflix movie Red Notice

An Interpol-issued Red Notice is a global alert to hunt and capture the world’s most wanted. But when a daring heist brings together the top FBI profiler (Dwayne Johnson) and two rival criminals (Gal Gadot, Ryan Reynolds), there’s no telling what will happen.

The high-flying adventure that ensues takes the trio around the world, across the dance floor, trapped in a secluded prison, into the jungle and, worst of all for them, constantly into each other’s company.

The all star cast is joined by Ritu Arya and Chris Diamantopolous. Directed and written by Rawson Marshall Thurber (Central Intelligence, Skyscraper) and produced by Hiram Garcia, Dwayne Johnson and Dany Garcia of Seven Bucks Productions, Beau Flynn’s Flynn Picture Co. and Thurber’s Bad Version, Inc., Red Notice is a stylish globe-trotting game of cat-and-mouse (and cat).

Coming to Netflix on November 12, 2021!

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Michael B. Jordan-Backed HBCU Basketball Showcase Partners With Turner Sports and Invesco

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Michael B. Jordan smiling at camera

By Angelique Jackson, Yahoo! Entertainment

Michael B. Jordan’s upcoming college basketball showcase, spotlighting men’s teams from Historically Black Colleges and Universities (HBCUs) added Turner Sports and Invesco QQQ as partners.

The newly named Invesco QQQ Legacy Classic will take place on Saturday, Dec. 18, at the Prudential Center in Newark, N.J. TNT will televise the doubleheader competition between Hampton University and North Carolina Central University, plus Howard University versus North Carolina A&T University.

The event — presented with WME Sports (the sports division of WME, an Endeavor company), Harris Blitzer Sports & Entertainment (HBSE) and Scout Sports and Entertainment (a division of Horizon Media) — was previously announced as the Hoop Dreams Classic.

“I am thrilled to finally announce the four HBCUs that will be competing in the inaugural Legacy Classic,” Jordan said, announcing the latest updates.

“Invesco QQQ and Turner Sports have been amazing partners in helping bring this experience to life,” he continued. “I grew up watching basketball games on TNT, so I am confident they will deliver this set of games to a true audience of basketball fans and their families in an exciting way.”

In addition to the basketball game, the Invesco QQQ Legacy Classic is also set to feature an immersive cultural experience that highlights elements of HBCU life and culture, including a band showcase, a live musical performance, college and career opportunities and more.

“We are excited for this partnership with Michael B. Jordan and all of the event organizers as we present the inaugural Legacy Classic,” Tina Shah, Turner Sports’ executive vice president and general manager, added. “We’re looking forward to having this unique opportunity to showcase these four college basketball programs, while highlighting HBCUs both leading up to and during the event.”

Click here to read the full article on Yahoo! Entertainment

Candyman: Horror reboot director Nia DaCosta makes US box office history

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Director Nia DaCosta, here in 2020, has made history with the success of her film "Candyman."

By BBC

Candyman director Nia DaCosta has made history by becoming the first black woman to have a film open at number one on the North American box office chart.

The director’s reimagining of the 1992 horror made $22m (£16m) in its first weekend in US and Canadian cinemas.

That is almost as much as the film – co-written and produced by Get Out’s Jordan Peele – actually cost to make.

Based on a Clive Barker story, the film is named after a hook-handed killer who has spawned a fearsome urban legend.

The new film stars Yahya Abdul-Mateen II as a visual artist who comes to regret basing an exhibit on the Candyman myth.

DaCosta only had one feature credit, 2018’s Little Woods, when she was invited to direct the latest instalment in the horror franchise.

The 31-year-old is currently working on The Marvels, the sequel to the 2019 Marvel comic book blockbuster Captain Marvel.

Candyman is the latest horror release to perform strongly in US cinemas as the sector recovers from the impact of the Covid pandemic.

A Quiet Place Part II was another scary success story, having made more than half of its $296m (£215m) worldwide haul from North American audiences.

Box office analysts said Candyman surpassed their expectations for an R-rated film opening in the Covid-19 era.

It performed better than had been expected even with Hurricane Ida depressing attendance in some southern US states.

Candyman also bucked a recent trend by launching only in cinemas, without a simultaneous release on streaming sites.

Films that have adopted a dual-release strategy, such as Black Widow and The Suicide Squad, have seen takings decline steeply in their second weekend in cinemas.

Candyman’s success came at the expense of action comedy Free Guy, which slipped to second place with weekend takings of $13.6m (£9.8m).

Click here to read the full article on BBC.

Beyonce’s husband Jay-Z makes rare comments about why he likes to collaborate with her: ‘She’s an incredibly hard worker, super talented, very inspiring’

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Cheers: Jay-Z made rare comments about his wife Beyonce this weekend. He said he loves working with her because she is 'super detail-orientated' and 'inspiring'

By HEIDI PARKER, Daily Mail

Jay-Z loves working with his wife Beyonce because she is ‘super detail-orientated’ and ‘inspiring’.

The power couple have collaborated musically, toured together, and, most recently, joined forces for Tiffany & Co’s About Love campaign.

And the 51-year-old music mogul has revealed why it’s so easy to work with his ‘super talented’ spouse.

Speaking in a rare interview with Entertainment Tonight at the 18th anniversary of his 40/40 Club in New York City on Saturday night the 99 Problems hitmaker gushed: ‘She’s super detail-oriented, obviously, as you can see from her work.

The star-studded bash was also attended by the likes of Megan Thee Stallion – who is signed to Jay-Z’s Roc Nation label – Swizz Beatz and Busta Rhymes, to name a few.

The high-profile duo’s romance is the center of the ad for the luxury jewelry brand, which launches on September 2.

In a statement, the Crazy in Love pair said: ‘Love is the diamond that the jewelry and art decorate.’

The Destiny’s Child star and her other half – who have Blue Ivy, nine, and four-year-old twins Rumi and Sir together – have also created a dazzling film for the brand filmed by Jay-Z on a Super 8 camera, which arrives on September 15.

Click here to read the full article on DAily Mail.

Beyoncé Just Became The First Black Woman To Wear The Iconic Tiffany Diamond

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Beyonce wearing the Tiffany Diamond

By , NPR

Singer Beyoncé and her rapper husband Jay-Z are once again turning heads. And this time, they’re making history too.

The powerhouse couple is the new face of a Tiffany & Co. ad campaign “celebrating modern love,” the luxury jeweler announced Monday.

Photos from the ABOUT LOVE campaign — including several shared on Beyoncé’s Instagram account — are drawing admiration across social media, both for the stunning images and for the historic firsts they represent.

Beyoncé can be seen wearing a large yellow diamond necklace in the photos. That’s the iconic 128-carat Tiffany Diamond, which the company acquired in 1878 and rarely puts on display. (Audrey Hepburn famously wore it in publicity photos for Breakfast at Tiffany’s, and Lady Gaga wore it to the 2019 Academy Awards.)

Beyoncé is only the fourth woman, and the first Black woman, to wear the diamond in more than a century.

That’s not the only milestone. Some of the photos show the couple posed in front of a large turquoise painting — Jean-Michel Basquiat’s Equals Pi. The 1982 work came from a private collection and has never been seen before in public, according to Tiffany.

This is also a personal first for the Carters. It’s the first campaign they’ve appeared in together, and Tiffany describes it as “an exploration of connection and vulnerability.” Beyoncé and Jay-Z, who got married in 2008, have a well-documented history of ups and downs, which NPR Music’s Rodney Carmichael walks us through here.

“Ushering in a new brand identity, this campaign embodies the beauty of love through time and all its diverse facets, forging a new vision of love today,” the company said.

Tiffany & Co. is also pledging $2 million toward scholarship and internship programs for historically Black colleges and universities, with more details on the initiative to come.

Click here to read the full article on NPR.

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