Grammys: Read Trevor Noah’s Opening Monologue

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Trevor Noah poses with his head resting on his hand with a Grammy award in a tuxedo

By Jackie Strause, The Hollywood Reporter

The host kept his jokes to a minimum while introducing a very different version of music’s biggest night amid the pandemic era of awards shows.

Trevor Noah kicked off a very intimate Grammy Awards show on Sunday, using his opening monologue to tour viewers around the CBS telecast’s COVID-safe, indoor-outdoor set.

Opening the night outside the Staples Center in downtown Los Angeles, Noah explained that the nominees were seated in a tented limited audience outside the venue, while the artists would be taking the stage for the night’s performances inside the nearly empty convention center. While he quipped about hot-button topics like COVID-19, the U.S. Capitol insurrection and the royals, his opener was intended to set-up the different-seeming and yet hopeful night.

“Tonight’s about bringing us all together as only music can. I mean — music and vaccines,” said the Daily Show host in an introduction fit for the pandemic-era of awards shows.

Good evening, everyone. And welcome to the 63rd annual Grammy Awards. My name is Trevor Noah and I’ll be your host tonight as we celebrate the last 10 years of music that got us through the last 10 years of coronavirus. I know it’s been one year, but it feels like 10.

As you can see, this year, people, we have made the decision to socially distance from the Staples Center, but we’re still broadcasting to you from the heart of downtown Los Angeles. This is not a Zoom background, alright? This is real. My uncle isn’t going to walk behind me naked even though I told him I was having an important meeting. That’s not going to happen tonight.

Tonight, we’re going to celebrate some of the fantastic music that has touched our lives and saved our souls over this unprecedented year. And as you can see, we are outside. Meaning, we get to enjoy the great Los Angeles air — which I know maybe as dangerous as COVID, but we’re willing to take the risk.

Tonight is going to be the biggest outdoor event this year besides the storming of the Capitol. Because, you see, right here in this elegant, open-air tent, we will be presenting the most prestigious, sought-after, peer-voted trophies in music, giving out shiny new Grammy awards live throughout the evening. But we have to do it quickly because tomorrow this tent is reserved for an outdoor wedding in Malibu and I do not want to lose my security deposit.

Click here to read Trevor Noah’s full monologue transcript on The Hollywood Reporter

Lil Nas X ‘Will Never Trust Pants Again’ After ‘SNL’ Wardrobe Malfunction

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Lil Nas X seated on the set of Jimmy Fallon's talk show with special guest David Groll.

, HuffPost

Lil Nas X is setting the record straight about splitting his pants on “Saturday Night Live” over the weekend, assuring fans the wardrobe malfunction was not a publicity stunt. Appearing on “The Tonight Show” Monday, the two-time Grammy winner recalled what was going through his head during the memeable moment, which took place toward the end of his debut live performance of the No. 1 smash “Montero (Call Me by Your Name).” “I’m pretty much going down the pole, doing my little sexy drop down and boom! I feel air,” he told host Jimmy Fallon. “I’m like ‘OK, there’s definitely a breeze going on.’ And I also felt some popping still happening while I was down there.” Lil Nas X was unable to halt the “SNL” broadcast, of course, so he held a hand over for his crotch for the remainder of the song to avoid a Lil Nas X-rated moment. “You know what the worst part is? At the end of the performance, the dancers are supposed to touch me and tug on me and they were tugging on the pants,” he said. “I was like, ‘Please God, no.’”

Though the Atlanta rapper and singer has a sense of humor about it now, the wardrobe malfunction apparently weighed on his mind as he prepared for his late night television spot. As the interview aired, he joked on Twitter that he’d opted for a red tartan skirt for his “Tonight Show” appearance because he “will never trust pants again.”

Click here to read the full article on HuffPost.

Billboard Music Awards: Drake’s son joins him to accept artist of the decade

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Drake and his son standing on stage accepting his award at the billboard music awards

By Mark Savage, BBC

Drake’s son Adonis made a surprise appearance at Sunday’s Billboard Music Awards, joining his father onstage as he won an artist of the decade prize. The rapper, 34, gripped his son’s shoulder throughout his speech, before hoisting him into the air and saying: “I want to dedicate this award to you.” The three year old burst into tears, and left the stage clinging to his father’s leg.

Meanwhile, The Weeknd was the night’s big winner, taking home 10 awards. Among his prizes were best artist; top Hot 100 album for After Hours; and top Hot 100 song for Blinding Lights. The star, whose real name is Abel Tesfaye, more than doubled his career total of Billboard Music Awards, having previously received nine trophies.

Korean pop band BTS also picked up four prizes, winning best group for the second time in three years; and top social artist for the fifth consecutive year. The band is now just one year short of equalling Justin Bieber’s six-year hold on the social award from 2011- 2016.

Here are some of the other highlights and talking points from the show.

Machine Gun Kelly painted his tongue black

Best rock artist winner Machine Gun Kelly arrived at the ceremony with a rather unusual oral condition: A jet-black tongue. Had he gone overboard with the charcoal toothpaste? Developed a crippling liquorice habit? Been cursed by an evil dentist? Sadly not. A visit to his Instagram reveals that the musician had someone paint his tongue carefully with a cotton bud. On the red carpet, he made sure everyone noticed, sticking his tongue out for fans, sticking his tongue out for the cameras, and (hold your stomachs) touching tongues with his girlfriend, Megan Fox.

His reasons are still unclear. Is it a reference to The Rolling Stones Paint It Black? Or is he simply a big fan of giraffes? We may never know.

Pink admitted her childhood crush

Pink accepted the Icon Award from rock star Bon Jovi, and confessed she’d been obsessed with the star when she was eight – locking herself in her bedroom for a week after he got married.

“I’m very glad you found lasting love, Jon, but you broke my heart. I take this as an apology,” she laughed, indicating her trophy.

To celebrate her prize, the star performed a career-spanning medley of hits, including Who Know, Get The Party Started and Just Give Me A Reason.

But the highlight was a breathtaking aerial acrobatic routine, performed with her nine-year-old daughter Willow, set to their duet Cover Me In Sunshine.

Click here to read the full article on BBC.

The Underground Railroad Team Talks Aaron Pierre’s Distracting Beauty as Caesar — and That Episode 2 Shocker

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Underground railroad actor wearing vintage clothing from the time

By , TV Line

To be clear, The Underground Railroad is a serious and thought-provoking work of art. The 10-part limited series, which Oscar winner Barry Jenkins adapted from Colson Whitehead’s Pulitzer Prize-winning novel of the same name, is now streaming on Amazon Prime and is in many ways a visually rich conversation starter on American slavery and race relations. But part of that visual is Krypton‘s Aaron Pierre as Caesar — who, within five minutes of watching Episode 1, has the ability to make viewers focus on little else but him. Or, as one fan on Twitter phrased it, “he reminds me of Javier Bardem — a face that just wants to be looked at. Powerful looking dude.”

Thankfully, Pierre is a wonderful actor, and his ability to convey great depth with just a slow-boiling sidelong glance is in and of itself a reason to pay attention to him opposite star Thuso Mbedu, TVLine’s most recent Performer of the Week.

Speaking of which, Mbedu says she noticed the London native’s charms as much as viewers have and will — but only as herself. As Cora, who initially and quizzically tells Caesar she won’t run away with him to freedom, she can’t see his handsome face and broad shoulders or hear his seductive baritone voice.

“Caesar was friends with the group who called Cora names at every single turn,” Mbedu recalls. “He was part of that crew. So she’s not seeing him for the god that he is. She’s seeing all the ugly. But that’s Cora. As Thuso, I was like, ‘Hey, Aaron!’”

Jenkins agrees and says Cora’s other hurdles as an enslaved Black woman eclipse Caesar’s pretty blue eyes.

“Cora absolutely would question running away with Caesar because I think in that moment, Cora can’t see anything and she cannot see how beautiful he is,” Jenkins contends. “The only thing she can see is that the person who should want her the most, her mother, abandoned her at this plantation. That’s all she can see. Caesar’s job, as handsome as he is, is to very slowly and subtly remind her that ‘I see you. I need you. I want you. You are special.’ I think that’s the role he plays in her life.”

Click here to read the full article on TV Line.

Woman who got $50K scholarship in Drake’s ‘God’s Plan’ video earns masters degree

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James standing with her graduation cap and shawl in a white dress after winning the drake gods plan scholarship

By , The Grio

Destiny James, a young woman who received a $50K donation from Drake in 2018, is celebrating a full circle moment and the “God’s Plan” rapper is too.

This week, the 23-year-old Denmark, South Carolina native shared that she was graduating from a master’s program in public health from the University of North Carolina at Chapel Hill. “Mama, I mastered it. Daddy, I did it. 4 days until I am officially UNC Alum,” James wrote in her Instagram post. Drizzy congratulated her in the comments.

“LETS GOOOOOOOOOOOOOO DES,” the Toronto rapper wrote. Drake also posted a photo of him and James on his Instagram story, REVOLT reports.

James began her undergraduate studies in 2015. After appearing in the music video for Drake’s 2018 single “God’s Plan,” James used the $50K scholarship to complete her bachelor’s degree in public health from the University of Miami and she graduated from there in 2019. James never applied to the scholarship but her story made it to the right university administrators who ultimately positioned her to feature in Drake’s video, E! Entertainment reports.

Back in 2018, James shared her gratitude on social media, saying the rap artist’s donation was an epic surprise. “Drake told me that he has read great things about me and appreciates how hard I’ve worked through so many trials and decided to give me $50K for my tuition. @champagnepapi THANK YOU SO MUCH!!’ You don’t understand what this means to me!,” said James.

The “God’s Plan” music video, which was directed by Karena Evans and now has well over a billion views on YouTube, captures James’ reaction along with other recipients of the four-time Grammy award winner’s generosity. The University of Miami’s picturesque campus is juxtaposed with the everyday economic struggles shown in stores, schools, churches, and other parts of the city that Drake visits.

As theGrio previously reported, Drake brought both the party and the money to students at the University of Miami and Miami Senior High School. In addition to his donation to James, the rapper wrote a $25,000 check to the high school and also promised to “design new school uniforms,” according to the Miami Herald.

Click here to read the full article on The Grio.

Last Name Ever, First Name Greatest: Drake to Receive Artist of the Decade Award at 2021 Billboard Music Awards

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Drake poses in the press room during the 2019 Billboard Music Awards in Las Vegas, Nevada

By Shanelle Genai, The Root

Cue the “Toosie Slide!” On Tuesday it was announced that Drake will be receiving the Artist of the Decade Award at this year’s Billboard Music Awards.

Variety reports the award takes into account Billboard consumption data from 2009 through 2019, noting that during that time the Canadian rapper racked up a historic 27 awards—the most of any artist ever. Additionally, during his 10-year run, producers also pointed out that Drake had nine No. 1 albums, the most of any artist during the decade and 33 Top 10 singles on the Billboard Hot 100, the most by any artist ever. (GOAT shit, I know that’s right!)

This year’s BBMAs will also see Drake vying for eight more ‘“Ws,” including Top Artist, Top Male Artist, Top Billboard 200, Top 100 Artist, Top Streaming Song Artist, Top Rap Artist, and Top Streaming Song alongside fellow “Life is Good” rapper Future. I don’t know about you but as The Root’s resident Drake stan, I have to say—I’m glad to see the Certified Lover Boy getting this recognition.

But Shanelle, Drake always gets recognized. What are you saying?

OK, but not like this. This award is for Artist of the Decade, which means whether you wanted to or even knew it or not, you have been hearing Drake consistently in some form or fashion for the last 10 years. “Nonstop.”

I don’t think that’s technically what it me—

And if you haven’t heard Drake, then you’ve most definitely been privy to the influence he’s had on the culture. Whether it’s through his gif-worthy facial expressions and debatable dance moves or a caption on Instagram, Drake’s influence is unmatched. Period point blank. And I, for one, am always glad when people have to talk about it. He told us back in 2013 to see who’s still around a decade from now; seeing as how we’re just two years shy of 2023 and he’s still relevant—it’s safe to say that Drizzy Drake is here for a good time and a long time.

Click here to read the full article on The Root.

Damian Lillard Encourages Others to ‘Be Good Allies’ in NBA’s AAPI Month PSA: ‘Stand Up, Speak Out’

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Damian Lillard wearing an oregon basketball jersey during a game

By Lindsay Kimble, People

Damian Lillard is helping the NBA advocate for change in America. In a new PSA launched in honor of Asian American Pacific Islander (AAPI) Heritage Month this May, Lillard — who plays for the Portland Trail Blazers — decries the recent rise in violence against the AAPI community.

“May is Asian American and Pacific Islander Heritage Month,” Lillard says. “As we celebrate, we must also acknowledge the troubling rise in violence and discrimination towards Asian Americans this year. Hate and bigotry against anyone have no place in our game — or in our communities.”

RELATED: 14 Brands to Support for Asian Pacific American Heritage Month — and Always

Lillard, 30, adds, “Now is the time to stand up, speak out, and be good allies. We must continue our fight to stop discrimination and xenophobia, together. To find out how you can get engaged, visit StandAgainstHatred.org.”

The findings of a study released in March of police department statistics shows that hate crimes against Asian Americans rose by nearly 150 percent in 2020 amid the coronaviurs pandemic, despite hate crimes overall dropping by 7 percent.

Click here to read the full article on People.

J. Cole Dropping ‘Applying Pressure: The Off-Season’ Documentary

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j cole performing in front of an all blue background while wearing a bob marley t shirt

, Billboard

J. Cole season is upon us. The rapper revealed on Sunday that his new movie, Applying Pressure: The Off-Season Documentary, will drop at 1 p.m. ET on Monday (May 10) on YouTube. At press time there were few details about the Scott Lazer-directed film that will accompany the MC’s upcoming album, The Off-Season.

“This is the moment that a lot of your favorite rappers hit a crossroads,” Cole says in the 26-second teaser clip, during which he hops on a midnight flight, toils in the studio and shoots hoops by himself. “Are you okay with getting comfortable? Did you leave no stone unturned creatively? And when I thought about that feeling, I was like, ‘Nah, I’m not cool with that.'”

The album, due out on Thursday (May 14) was “years in the making” according to a recent post from Cole about the follow-up to 2018’s KOD. The Off-Season is the first of three albums the rapper teased in a December 2020 Instagram post that caused speculation surrounding his retirement from the rap game. According to the post, the following albums will be titled It’s a Boy and The Fall-Off, a play on his first mixtape released in 2007, The Come Up.

Last week, he previewed the album via a new song, “i n t e r l u d e,” which he co-produced with T-Minus and T. Parker.

Click here to read the full article on Billboard.

Meghan Markle adds children’s book author to her resume

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Meghan Markle smiling away from the camera wearing a tan sleeveless blazer

By Kerry Justich, Yahoo! Life

Meghan Markle is adding published author to her resume after writing a children’s book that’s set to be released on June 8.

The Duchess of Sussex’s secret project is titled The Bench, according to an announcement by Penguin Random House, and is about “the special bond between father and son — as seen through a mother’s eyes.” The story is inspired by the relationship between Markle’s husband Prince Harry and son Archie, who turns two years old on Thursday. The book is also illustrated by artist Christian Robinson.

“The Bench started as a poem I wrote for my husband on Father’s Day, the month after Archie was born,” Meghan, The Duchess of Sussex, said in a statement. “That poem became this story. Christian layered in beautiful and ethereal watercolor illustrations that capture the warmth, joy, and comfort of the relationship between fathers and sons from all walks of life; this representation was particularly important to me, and Christian and I worked closely to depict this special bond through an inclusive lens. My hope is that The Bench resonates with every family, no matter the makeup, as much as it does with mine.”

The book comes as a surprise after the couple signed a multi-year deal with Netflix to produce documentaries, feature films, scripted television series and children’s series last fall. But the move still makes sense for the soon-to-be mother-of-two who told Oprah that “the most important title I’ll ever have is mom.” Markle is even set to narrate the audiobook edition.

Click here to read the full article on Yahoo! Life.

‘Ma Rainey’s’ hair and makeup team make history with Oscar win

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Viola Davis as Ma Rainey in “Ma Rainey’s Black Bottom" standing in front of a microphone with her right arm in the air while she sings

MARK OLSEN, LA Times

The hair and makeup team behind “Ma Rainey’s Black Bottom” — Sergio Lopez-Rivera, Mia Neal, and Jamika Wilson — made history when they were nominated for the Oscar, with Neal and Wilson being the first Black people recognized in the category. Now they have made history again as that category’s winners.

The team transformed Viola Davis into 1920s blues singer Ma Rainey, who, in the Netflix adaptation of August Wilson’s celebrated play, is seen during the course of one day spent largely in a sweltering Chicago recording studio. There are precious few photographs of the real-life Ma Rainey, so the team had to extrapolate much of its work from additional research.

Creating a period-accurate horsehair wig and a makeup look that would run and smear just so as the story progressed, the team devised a look that was part glamour and part grit, moving from precisely pulled-together to deliriously disheveled

Neal created the wigs; Wilson, Davis’ longtime hairstylist, put them on the actress. As makeup artist Lopez-Rivera, who also has a long-running collaboration with Davis, said of the character’s makeup and overall look, including her sweat, in an interview with The Times, “It was applied precisely to look messy.”

In accepting the award, Neal spoke of her grandfather, who was a Tuskegee Airman, represented the U.S. in the first Pan-Am Games and graduated from Northwestern University yet was barred from a job as a teacher because he was Black.

“So I want to say thank you to our ancestors who put the work in, were denied but never gave up,” Neal said. “And I also stand here as Jamika and I break this glass ceiling with so much excitement for the future. Because I can picture Black trans women standing up here and Asian sisters and our Latina sisters and Indigenous women. And I know that one day it won’t be unusual or groundbreaking, it will just be normal.”

Click here to read the full article in the LA Times.

The number of Black women mayors leading major cities to reach historic high. Here is why they are winning

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Kim Janey and Tishaura Jones giving speeches while looking off camera

By Nicquel Terry Ellis, CNN

A new wave of Black women are breaking barriers as they ascend to mayoral seats in cities with deeply rooted histories of racism and inequality.

On Tuesday, Tishaura Jones will be sworn in as the first Black female mayor of St. Louis after winning the election earlier this month.

Her victory came just two weeks after Kim Janey was appointed Boston’s first Black female mayor following the resignation of Marty Walsh, who is now the US Labor Secretary. Janey recently announced she would run for a full term in this year’s mayoral election.

With the ascension of Jones and Janey, there will be a historic high of nine Black women serving as mayors of the nation’s 100 largest cities. Other major cities led by Black women include Atlanta, San Francisco; Chicago; Baton Rouge, Louisiana; New Orleans; Washington, DC; and Charlotte, North Carolina.
Political observers say the growing number of Black female mayors signals they are gaining electoral strength and appealing to voters in races that have been historically won by White men. They say Black women have proven they are relatable with an ability to lead, organize and engage new voters. Black women are also speaking out against the racial disparities in their communities at a time when the nation is having to reckon with systemic racism and police violence against Black people.
Kimberly Peeler-Allen, a visiting practitioner at the Center for American Women in Politics at Rutgers University, said as more Black women rise to political power, the electorate is seeing the importance of having diverse voices making decisions.

“Black and brown women are running with a message that is a totality of their life experiences, which transcends race or gender,” Peeler-Allen said. “And there are people who are saying ‘she may not look like me but I know we share the same experience, because she is wrestling with credit card debt, or she has a family member with addiction or she’s a small business owner, she’s a veteran.'”
Peeler-Allen said she believes the advancement of Black women in all levels of government could also be inspiring more to run for office.
In the last few years, Kamala Harris became the first Black female vice president, Ayanna Pressley became Massachusetts’ first Black woman elected to Congress, and Tish James was elected New York’s first Black female attorney general.

Stacey Abrams narrowly lost her bid to become the nation’s first Black woman governor in 2018, but is now a powerful advocate for voting rights for people of color. Some political analysts view Abrams as a viable candidate for Georgia’s gubernatorial election in 2022.

Creating equity in St. Louis

Both Jones and Janey have vowed to make racial equity a priority while reflecting on their own lived experiences as Black women.

Jones said during her victory speech that she would not stay silent or ignore the racism that has held St. Louis back.
She told CNN she wants to address the exodus of Black residents in recent years and why they don’t feel welcome in St. Louis. The city’s Black population dropped from 51% to 45% in the last 10 years.

Jones said she wants to revitalize the northern part of the city where she grew up because the neighborhoods have been neglected.

“I am ready for St. Louis to thrive instead of just survive,” Jones said on CNN “New Day” earlier this month. “We need to provide opportunities for everyone to succeed, no matter their zip code, the color of their skin, who they love or how they worship.”

Kayla Reed, executive director of the grassroots racial justice group St. Louis Action, said she believes Jones can relate to the plight of Black people in St. Louis because of her lived experience as a single mother from a marginalized neighborhood.
The city, Reed said, struggles with segregation, disparities in education, employment and housing, overpolicing and violence in the Black community.

Reed said Jones has embraced the demands of a racial justice movement that started in 2014 when unrest broke out in nearby Ferguson following the police killing of Michael Brown. Ferguson elected its first Black woman mayor Ella Jones last year.

Jones is listening to the concerns of organizers and giving them a seat at the table, Reed said.
“She understands the unique inequality that our communities face,” said Reed, who campaigned for Jones and sits on her transition team. “And it gives her an advantage to think through creative, innovative solutions to shift outcomes and conditions.”

Click here to read the full article on CNN.

A Black woman is hosting the Academy of Country Music Awards for the first time

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Mickey Guyton wearing a long sleeve black gown smiling at the camera and holding up her country music award

By Alexis Benveniste, CNN

Country music singer Mickey Guyton will make history Sunday when she hosts the Academy of Country Music Awards with Keith Urban.

The 37-year-old singer from Arlington, Texas, will be the first Black woman to host the awards ceremony.
And this isn’t Guyton’s first time making history in the country music world. In September 2020, she became the first Black female solo artist to sing her own song at the ACMAs. And in March, she became the first Black solo female artist to earn a Grammy nomination in a country music category. At the ceremony, she performed “Black Like Me,” her song that address the discrimination she has experienced as a Black woman. The song was released just eight days after George Floyd was killed.
The door to country music has long been closed to many Black artists, with just a handful of exceptions. Starting in the 1920s, record labels deliberately marketed what was once called “hillbilly music” as the music of the rural White South, historians say.
But the thumbprints of African American culture are stamped on virtually every facet of country music, including its vocal harmonies, instrumentations, and some of its most popular songs. Black artists helped build country music.

Click here to read the full article on CNN Business.

Kimberly Godwin Named President of ABC News

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Headshot of Kimberly Godwin

The Walt Disney Co. has named Kimberly Godwin president of ABC News.

Godwin, a longtime producer and executive at CBS News, will become the first Black woman to lead a broadcast news division. She succeeds James Goldston, who stepped down as president of ABC News earlier this year.

Godwin will start at ABC in early May and report to Peter Rice, chairman of Disney General Entertainment Content.

A top deputy to CBS News president Susan Zirinsky, Godwin was most recently executive vp news at CBS, overseeing all newsgathering worldwide for the venerable broadcast news division. She also had oversight of newsrooms at all the CBS-owned and operated TV stations.

Godwin also stepped in as ep of the CBS Evening News, helping to launch the revamped newscast under anchor Norah O’Donnell. She also served as executive director for development and diversity at CBS News, and as a senior broadcast producer for the Evening News. Before joining CBS News in 2007, she spent more than 20 years working in local TV newsrooms across the country, including leadership roles at WCBS New York, KNBC Los Angeles and KXAS in Dallas.

“Kim is an instinctive and admired executive whose unique experiences, strengths and strategic vision made her the ideal choice to lead the outstanding team at ABC News and build on their incredible success,” said Rice in a statement announcing the hire. “Throughout Kim’s career in global news organizations and local newsrooms, she has distinguished herself as a fierce advocate for excellence, collaboration, inclusion and the vital role of accurate and transparent news reporting.”

“I have immense respect and admiration for ABC News,” added Godwin in a statement. “As the most trusted brand in news, they are to be commended for the extraordinary work and dedication of the journalists, producers, executives and their teams across the organization. I am honored to take on this stewardship and excited for what we will achieve together.”

Photo Credit: The Hollywood Reporter via ABC/ Heidi Gutman

Continue reading the full article at The Hollywood Reporter

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